Name: The flute put to the test
Start: 2024-04-19T00:00:00.000Z
End: 2024-04-19T00:00:00.000Z
Location: Palazzetto Bru Zane

Organization

Admin

Palazzetto Bru Zane

Instrumentalist

Alexis Kossenko

Flute

Flutist

Pianist

Vassilis Varvaresos

Piano

The flute put to the test

Venice

Italy

The flute put to the test: Fantaisie, Op.79 Fauré (+4 More)

Public

Concert

Chamber music

Fantaisie, Op.79

Cantabile et presto

Flute Sonata, Op.64

Flute Sonata, Op.52

Andante

Luis Mariano Nomdedeu

Approved

Bass

Violinist

Cellist

Violist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Bass-baritone

Mezzo-soprano

Countertenor

Soprano

Baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

During the Belle Époque, the repertoire for accompanied flute was enriched essentially by two means: by the composition of flute sonatas and by the provision of contest pieces (morceaux de concours) for the Paris Conservatoire. The piano sometimes featured so prominently in the former that the work could be regarded as a duo: Charles Koechlin’s Sonate pour piano et flûte is a case in point. The works belonging to the other category, however – illustrated here by Fauré’s Fantaisie (1898) and Enesco’s Cantabile et Presto (1904) – were of course intended to test the flautist’s abilities, so the piano had to remain somewhat in the background, although musicality was an obligatory feature of such pieces.

English

The flute put to the test by Fauré, Enescu, Cools, Koechlin, C., Masson, L., Ó (2024/2024), Palazzetto Bru Zane, Venice, Italy

Creidmheasanna feidhmíochta (Foireann & Criú )

Ionstraimíocht

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid