Name: The Forest Horn
Start: 2023-10-05T00:00:00.000Z
End: 2023-10-05T00:00:00.000Z
Location: NOSPR

Organization

Instrumentalist

Dagmara Niedziela

Piano

Paweł Cal

Horn

French Horn

Polish National Radio Symphony Orchestra

Aleksander Daszkiewicz

Violin

The Forest Horn

Katowice

Poland

NOSPR

Chamber Hall

Nospr in Chamber Mode / Brahms & Ewazen: Trio in E-flat Major, op. 40 Brahms (+1 More)

Public

Horn Trio, op. 40

Trio for Horn, Violin, and Piano

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Bass

Contralto

Baritone

Countertenor

Soprano

Mezzo-soprano

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Johannes Brahms grał w młodości na rogu (waltorni), stąd jego sentyment do tego instrumentu. Mało kto potrafił stopić jego brzmienie ze skrzypcami i fortepianem tak idealnie. Może dlatego Trio Es-dur należy do nielicznych dzieł kameralnych z rogiem, jakie skomponowano w epoce romantyzmu. Usłyszymy w nim zarówno tradycyjne odniesienia myśliwskie („waltornia” to przecież Waldhorn, dosłownie „róg leśny”), jak i kantylenową, rozlewną melodię I części – jedną z najpiękniejszych i najbardziej wyrafinowanych w kameralistyce dziewiętnastowiecznej. Część wolna, Adagio, jest czułym wspomnieniem zmarłej matki, któremu róg nadaje głębi. 

Napisane już w XXI wieku Trio na waltornię, skrzypce i fortepian amerykańskiego kompozytora, Erica Ewazena, stanowi ukłon w stronę dzieła Brahmsa. Przeznaczone na ten sam skład wykonawczy, staje się sentymentalną stylizacją, echem arcydzieła.

polski

In his youth, Johannes Brahms would play the French horn, hence his sentiment for the instrument. Few can blend its sound with the violin and the piano so perfectly. This may be why there were not many more chamber pieces featuring the horn other than the Trio in E flat major composed in the Romantic period. The work contains both traditional hunting references (after all, one of French horn’s German names is “Waldhorn”, literally “forest horn”) and the extensively flowing melody of the 1st movement – one of the most beautiful and most sophisticated melodies of 19th-century chamber music. The slow movement, the Adagio, is a tender memory of a mother who passed away, made deeper by the horn.
Composed as early as in the 21st century, the Trio for horn, violin and piano by the American composer Eric Ewazen is a tribute to Brahms’ work. Intended for the same set of instruments, it becomes a sentimental styled piece, an echo of a masterpiece.

English

The Forest Horn by Brahms, Ewazen, No (2023/2023), NOSPR, Katowice, Poland

Izrādes kredīti (Izpildītāji un radošā komanda )

Instrumentācija

Programma, Informācija un Apraksts

Fotogrāfijas

Papildu informācija

Izrāžu datumi un norises vietas

Norises vietas