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L'Auditori

Direzione d'orchestra

Edmon Colomer

Orchestra

Orquesta Sinfónica de Barcelona y Nacional de Cataluña

The OBC at La Merce / Beethoven's Fifth

Nou Barris

Spagna

Public

concert form

Oratorio / Orchestrale

Sol Ixent

La mia madre l'oca

Symphony No. 5 in C minor

Samabedona Majumder

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Controtenore

Cantante

Baritono

Basso-baritono

Basso

Mezzosoprano

Tenore

Soprano

Contralto

Alto

Continuo

Mimi

Narrazione

Voce bianca

Eduard Toldrà’s sardana Sol ixent opens an exciting concert with a wealth of contrasts. First performed in 1922, highly acclaimed and recorded on many occasions, it begins with woodwind solos performed on the genre’s most characteristic instruments.

It will be followed by the five pieces in the children’s suite Ma mère l’oye (Mother Goose) composed by Maurice Ravel between 1908 and 1910. Originally written as a piano duet, the orchestrated version adds nuances that reflect the narrative of each of the movements, inspired by popular tales.

Composed between 1804 and 1805, Beethoven’s revolutionary Fifth Symphony was conceived as a struggle of the individual with destiny. The dramatic opening develops into a powerful musical discourse, leading to a triumphant finale.

English

La sardana Sol ixent de Eduard Toldrà abre un concierto atractivo y lleno de contrastes. Estrenada en 1922, galardonada y grabada en numerosas ocasiones, comienza con la intervención solista de los instrumentos de madera más característicos del género.

Le seguirán las cinco piezas infantiles de la suite Ma mère l’oye (Mi madre, la oca), que Maurice Ravel compuso entre 1908 y 1910. Concebida para piano a cuatro manos, la adaptación orquestal revela matices que colaboran con la narratividad de cada una de las escenas, inspiradas en cuentos populares.

Creada por Beethoven entre 1804 y 1805, la revolucionaria Quinta sinfonía se ha interpretado como una lucha del individuo frente al destino. La sacudida inicial se transforma entretejiendo un discurso musical de consistencia impecable, que culmina en un final exultante.

español

La sardana Sol ixent d’Eduard Toldrà obre un concert atractiu i generós en contrastos. Estrenada el 1922, guardonada i gravada en múltiples ocasions, s’inicia amb la intervenció solista dels instruments de fusta més característics del gènere.

Seguiran les cinc peces infantils de la suite Ma mère l’oye que Maurice Ravel va compondre entre 1908 i 1910. Concebuda per a piano a quatre mans, l’adaptació orquestral revela matisos que col·laboren amb la narrativitat de cadascuna de les escenes, inspirades en contes populars.

Creada per Beethoven entre 1804 i 1805, la revolucionària Cinquena ha estat entesa com una lluita de l’individu amb el destí. La sacsejada inicial es transformarà entreteixint un discurs musical de consistència inatacable, que assoleix un final exultant.

català

The OBC at La Merce / Beethoven's Fifth by Toldrà, Ravel, Beethoven, Da (2024/2024), Direttore d'orchestra Edmon Colomer

Crediti di rappresentazione (Cast e team di produzione )

Ensemble

Programma, informazioni e sinossi

Foto

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