Name: Tosca
Start: 2014-03-08T00:00:00.000Z
End: 2014-03-25T00:00:00.000Z
Location: Gran Teatre del Liceu

Organization

Soprano

Sondra Radvanovsky

Floria Tosca

Martina Serafin

Fiorenza Cedolins

Ténor

Jorge de León

Μario Cavaradossi

Baryton

Ambrogio Maestri

Le Baron Scarpia

Vittorio Vitelli

Basse

Vladimir Baykov

Cesare Angelotti

Alessandro Guerzoni

Valeriano Lanchas

Le Sacristain

Francisco Vas

Spoletta

José Manuel Zapata

Manel Esteve Madrid

Sciarrone

Voix d'enfant

Elena Copons

Un berger

Direction d'orchestre

Paolo Carignani

Mise en scène

Paco Azorín

Décors

Costumes

Isidre Prunés

Lumières

Pascal MERAT

Riccardo Massi

Gran Teatre del Liceu

Tosca

Barcelone

Espagne

Sala Miralls

Public

Valide

Instrumentalist

Piano

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositeur

Livret

Chorégraphie

Danse

Acteur

Direction de choeur

Video

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

Photographer

Diffusion

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contre-ténor

Singer

Baryton-basse

Contralto

Mezzo-soprano

Parlé

Rôle muet

Alto

Continuo

Three is a number of special relevance to Tosca: three settings in Rome in the year 1800, three main characters (Tosca, Cavaradossi and Scarpia), and the three rules of classical drama – action, place and time – which, surprisingly, still underlie this work from the dawn of the 20th century. Paco Azorín chooses to apply the number three to yet another dimension and his production – dominated by a huge, strikingly realistic altarpiece – spans three centuries: the period of the action, that of the premiere, and that of the present audience. Thus there are three levels of interpretation, one for each act, and his Tosca starts off as a work of realism, evolves into the sphere of symbolism, and concludes with a metaphorical vision of this tale of passions. For every passion that is part of contradictory human nature – from love to power lust – finds its place in the three settings and each is expressed with forcefulness and violence.

English

Tosca by Puccini, Du (2014/2014), Dirigé par Paco Azorín,, Chef d'orchestre Paolo Carignani, Gran Teatre del Liceu, Barcelone, Espagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Programme, À Propos & Synopsis

Lectures complémentaires

Dates et lieux de représentation

Salles