Name: Tristan und Isolde
Start: 2021-07-02T00:00:00.000Z
End: 2021-07-15T00:00:00.000Z
Location: Grand Théâtre de Provence

Organization

Festival d'Aix en Provence

Barítono

Josef Wagner

Kurvenal

Tenor

Dominic Sedgwick

Melot

Linard Vrielink

Pastor

Ivan Thirion

Timonel

Voz de un joven marinero

Diseñador(a) de iluminación

James Farncombe

Diseñador(a) de vestuario/Figurinista

Mel Page

Escenógrafo(a)

Ralph Myers

Stuart Skelton

Tristán

Soprano

Nina Stemme

Isolda

Mezzosoprano

Jamie Barton

Brangane

Director(a) de escena

Simon Stone

Director(a) orquestal

Simon Rattle

Bajo

Franz-Josef Selig

Rey Marke

Diseñador(a) de video

Luke Halls

Coreógrafo(a)

Arco Renz

Director(a) coral

Lodewijk van der Ree

Costumes, additional creations

Blanca Aňón

Assistant to the Conductor

Gregor A. Mayrhofer

Vocal Coaches

Levi Hammer

Rupert Dussmann

Assistants to the Stage Director

Robin Ormond

Ewa Rucińska

Assistant to the Set Director

Assistante to the Costumes Designer

Angèle Mignot

Théâtres de la Ville de Luxembourg

Others

Chœur de Chambre Philharmonique Estonien

Orchestra

London Symphony Orchestra

alemán

Tristan und Isolde -  (Tristán e Isolda)

Aix-en-Provence

Francia

Richard Wagner feared that his Tristan and Isolde would drive people mad. Rare are indeed the works to reach such a level of audacity, beauty and complexity. From its prelude, Tristan and Isolde announces its revolutionary nature. Meeting with this lyrical monument at the Festival d'Aix-en-Provence.

With Tristan and Isolde ,  Wagner sets one of the most famous love stories in Western culture to music. This Celtic legend of the twelfth century, with a tragic outcome, allows the German composer to weave a fresco where death and passion intertwine with great intensity.

If this work is so strong, it is undoubtedly because it was nourished by Wagner's own forbidden love. When he composed Tristan and Isolde , the composer was in fact burning with a platonic passion for Mathilde Wesendonck, the wife of his patron. 

This production of the Festival d'Aix-en-Provence is masterfully directed by Sir Simon Rattle , at the head of his faithfulLondon Symphony Orchestra . On stage, it is Stuart Skelton and Nina Stemme that we find in the title roles. Alongside them, Jamie Barton, Josef Wagner, Franz-Josef Selig, Dominic Sedgwick, Linard Vrielink, Ivan Thirion and the Estonian Philharmonic Chamber Choir evolve in a staging signed by Simon Stone .

Grand Théâtre de Provence

Honour called for a death potion; the subconscious responded with a love potion. And forbidden passion, repressed for so long, suddenly burst into the light, shattering all the barriers. Uncontrollable desire has never been expressed as powerfully as by Wagner in Tristan und Isolde, the most absolute representation of love-as-passion in the West. But is this perpetual devouring, which is as painful as it is orgasmic, a form of mystic knowledge or a dangerous illusion? For this sacred pair of lovers, dissolution into the eternal night seems like the only possible way out. Wagner feared that his opera would drive people insane; but for audience members immersed in the endless melody until the final climax, Tristan und Isolde offers a unique experience. And to do the smouldering content and the purity of the form justice, it takes the infinite talent of Sir Simon Rattle conducting the London Symphony Orchestra; Nina Stemme and Stuart Skelton, the legendary artists in the title roles; and Simon Stone, the ideal director to reveal what a black sun signifies to today’s audience.

Tristan und Isolde Wagner,Richard

Public

Tristán e Isolda

francés

inglés

Válido

[ PRÉLUDE ] TRISTAN ET ISOLDE – WAGNER

Richard Wagner feared that his Tristan and Isolde would drive people mad. Rare are indeed the works to reach such a level of audacity, beauty and complexity. From its prelude, Tristan and Isolde announces its revolutionary nature. Meeting with this lyrical monument at the Festival d'Aix-en-Provence.

With Tristan and Isolde ,  Wagner sets one of the most famous love stories in Western culture to music. This Celtic legend of the twelfth century, with a tragic outcome, allows the German composer to weave a fresco where death and passion intertwine with great intensity.

If this work is so strong, it is undoubtedly because it was nourished by Wagner's own forbidden love. When he composed Tristan and Isolde , the composer was in fact burning with a platonic passion for Mathilde Wesendonck, the wife of his patron.

English

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo

Ensamble

Coproductor