Organization

Direzione del coro

Jaume Miranda

Regia

Magdolna Parditka

Cantante

Tenore

Burkhard Fritz

Tristano

Basso

Hiroshi Matsui

Re Marke

Soprano

Aile Asszonyi

Isotta

Stefan Röttig

Melot

Mezzosoprano

Judith Braun

Brangania

Sung Min Song

Un pastore

Baritono

Peter Schöne

Kurwenal

Voce di un giovane marinaio

Direzione d'orchestra

Sébastien Rouland

Luci

Karl Wiedemann

Costumi

Alexandra Szemerédy

Scenografia

Drammaturgia

Frederike Krüger

Stefan Neubert

Justus Thorau

Ramazan Karaoglanoglu

Un timoniere

Heiko Börner

Algirdas Drevinskas

Saarländisches Staatstheater

Orchestra

Saarländische Staatsorchester

Others

Herren des Opernchores des Saarländischen Staatstheaters

tedesco

Tristan und Isolde -  (Tristano e Isotta)

Saarbrücken

Germania

Staatstheater

Großes Haus

Public

Tristano e Isotta

francese

Approvato

Tristan und Isolde Wagner, Richard

Although Tristan once killed her fiancé, the Irish king's daughter Isolde saved the life of the nephew of the warring King of Cornwall and fell in love with him. But the legitimate living out of their love is like a utopia. King Marke is said to be Isolde's husband. Between passion and a sense of duty, Tristan and Isolde seek their way in the field of tension between social norms and personal inclination. The common longing for death should bring them closer to their desire for union, but the supposed death potion turns out to be a love potion. Believing themselves close to death, they surrender to their forbidden love in order to realize that they seem to be trapped in this side of the utopia of their love even further away. Driven by the overwhelming power of emotions, they are ready to transgress all limits of human morality. Wagner, too, crossed the boundaries of everything known at the time and created music that aAlthough Tristan once killed her fiancé, the Irish king's daughter Isolde saved the life of the enemy king of Cornwall's nephew and fell in love with him. But the legitimate living out of their love resembles a utopia. King Marke is said to be Isolde's husband. Between passion and a sense of duty, Tristan and Isolde seek their way in the field of tension between social norms and personal inclinations. Their common longing for death is supposed to bring them closer to their desire for union, but the supposed death potion turns out to be a love potion. Thinking they are close to death, they surrender to their forbidden love, only to realize that they are trapped in this world of the utopia of their love that seems even further away. Driven by the overwhelming power of emotions, they are ready to transcend all limits of human morality. Wagner, too, transcended the boundaries of everything known at the time and created music that places the overpowering emotions and streams of thought of the protagonists in the foreground far more than any other opera before it.puts the overpowering emotions and streams of thought of the protagonists in the foreground far more than any other opera before.

English

Tristano e Isotta by Wagner, Richard, Da (2022/2022), Diretto da Magdolna Parditka, Alexandra Szemerédy,, Direttore d'orchestra Sébastien Rouland, Stefan Neubert, Justus Thorau, Staatstheater, Saarbrücken, Germania

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