Name: Vienna Philharmonic
Start: 2024-06-24T00:00:00.000Z
End: 2024-06-24T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Teatro Maestranza

Conductor

Lorenzo Viotti

Orchestra

Wiener Philharmoniker

Vienna Philharmonic

Seville

Spain

Teatro de la Maestranza

Sala Principal

Public

Concert

Spanish Capriccio, op. 34

The Isle of the Dead, Symphonic Poem Op. 29

Symphony No. 7 in D minor Op. 70

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bass-baritone

Singer

Baritone

Mezzo-soprano

Countertenor

Tenor

Contralto

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Vienna Philharmonic: Concert Various

La historia de la música clásica, además de la de sus compositores, también es la historia de sus intérpretes. Pues sin ellos, solo hay partituras impresas. Silencio. Hay solistas, y por supuesto formaciones sinfónicas o barrocas, que han marcado el curso del sonido hasta alcanzar tal grado de perfección, emoción y de excelencia, que cualquier actuación suya tiene un plus de atractivo en sí misma, independientemente de las obras que aborden.

La Filarmónica de Viena es una de esas orquestas. Con una historia que se remonta a 1842, cuando Otto Nicolai formó lo que llamó una “Academia Filarmónica”, la formación ha sido pulida por titanes como Hans Richter, Gustav Mahler, Weingartner, Furtwängler, Clemens Krauss, por citar a algunos titulares.

“Es una de las más destacadas del mundo”, dijo ya de ella Richard Wagner. Y Richard Strauss atinó aún más: “Todo elogio de ella se convierte en un eufemismo”. De carácter privado, está vinculada a la Orquesta de la Ópera Estatal de Viena en una simbiosis que garantiza la independencia de los músicos y, por lo tanto, su alto nivel artístico.

Tan musculosa como sedosa, tan mórbida como dulce, escuchar a la Filarmónica de Viena, entrar en su fascinante y rico universo sonoro, constituye una experiencia en sí misma. En Sevilla, dirigida por Lorenzo Viotti, director de la Filarmónica de los Países Bajos y una de las jóvenes batutas que están triunfando en el mundo, la Filarmónica de Viena, en un programa ruso y eslavo, aborda La isla de los muertos, perturbador poema sinfónico de Serguéi Rachmaninov, de 1908, que retrata la personalidad angustiada del autor, el Capricho español de Rimski-Kórsakov, de 1887, inspirado por las melodías españolas que escuchó a lo largo de sus viajes como oficial de la Marina rusa y la Séptima Sinfonía de Antonin Dvořák, Op. 70, de 1885, una de sus obras más maduras y profundas.

español

The history of classical music, in addition to that of its composers, is also the history of its performers. Well, without them, there are only printed scores. Silence. There are soloists, and of course symphonic or baroque ensembles, who have marked the course of sound to such a degree of perfection, emotion and excellence that any performance by them is extra attractive in itself, regardless of the works they cover.

The Vienna Philharmonic is one such orchestra. With a history dating back to 1842, when Otto Nicolai formed what he called a "Philharmonic Academy," the lineup has been polished by such titans as Hans Richter, Gustav Mahler, Weingartner, Furtwängler, Clemens Krauss, to name a few headlines.

"It is one of the most outstanding in the world," Richard Wagner already said of her. And Richard Strauss was even more right: "All praise of her becomes an understatement." Of a private nature, it is linked to the Vienna State Opera Orchestra in a symbiosis that guarantees the independence of the musicians and, therefore, their high artistic level.

As muscular as it is silky, as soft as it is sweet, listening to the Vienna Philharmonic, entering its fascinating and rich sound universe, is an experience in itself. In Seville, directed by Lorenzo Viotti, director of the Netherlands Philharmonic and one of the young conductors that are succeeding in the world, the Vienna Philharmonic, in a Russian and Slavic program, tackles The Island of the Dead, a disturbing poem symphony by Sergei Rachmaninov, from 1908, which portrays the author's anguished personality, Rimsky-Korsakov's Capricho español , from 1887, inspired by the Spanish melodies he heard during his travels as an officer in the Russian Navy and the Seventh Symphonyby Antonin Dvořák, Op. 70, from 1885, one of his most mature and profound works.

English

Vienna Philharmonic by Rimsky-Korsakov, Rachmaninoff, Dvořák, Noiztik (2024/2024), Zuzendaria Lorenzo Viotti, Teatro de la Maestranza, Seville, Spain

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