Name: Violeta Meets Jazz
Start: 2020-07-20T00:00:00.000Z
End: 2020-07-20T00:00:00.000Z
Location: Théâtre du Capitole

Organization

Pianist

Thomas Enhco

Singer

Emiliano Gonzalez Toro

Tenor

Mathilde Etienne

Voice

Opéra national du Capitole

Violeta Meets Jazz

Toulouse

France

Théâtre du Capitole

Violeta Meets Jazz: Concert Mozart

Public

Concert

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Mezzo-soprano

Countertenor

Bass-baritone

Soprano

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

“Violeta Parra is a legend. Her life, her work, the character she was continue to fascinate the public fifty years after her tragic death. She traveled all over Chile in search of forgotten folk songs, becoming the tireless ambassador of a popular culture without artifice. She learned everything on her own: to sing, to write, to play the harp and the guitar. Her raw voice forever marked the history of Latin American song, and well beyond: without Violeta, no Joan Baez, no Bob Dylan! She invented and distributed what would revolutionize popular music in the 1960s: folk. Violeta, these are songs of absolute beauty: Volver a los 17, Segun el favor delviento ... and the international anthem that has become Gracias a la vida. Son of Chileans, I have always been rocked by the songs of Violeta Parra; I know them by heart, like many Latin Americans of my generation. For the commemoration of the 50 years of his disappearance, I invited the pianist Thomas Enhco, among other musical personalities, to share the stage with me for a tribute in songs. His jazz and poetic arrangement of Run Run se fue pa'l Norte,was for me, as for the public, a real revelation, a moment of very strong emotion. Violeta's songs are eternal: their beauty is not frozen in stone, it is due to this miracle of incessant renewal. They seem to be written to be reinvented. Today's generation finds as much happiness as the previous one in immersing themselves in this powerful music, while bringing to it the freshness of a fresh look. Violeta meets jazz is the encounter between a musical genius, pure as a rough diamond, and a universe of sensitivity, fantasy and harmonic imagination. I'd like to think she would have loved it. »

English

Violeta Meets Jazz by Mozart, Noiztik (2020/2020), Théâtre du Capitole, Toulouse, France

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