Name: Werther
Start: 2016-06-19T00:00:00.000Z
End: 2016-07-13T00:00:00.000Z
Location: Royal Opera House

Admin

Organization

Tenor

Vittorio Grigolo

Werther

Mezzo-soprano

Joyce DiDonato

Charlotte

Baritone

David Bizic

Albert

Soprano

Heather Engebretson

Sophie

Bass

Jonathan Summers

The bailiff

Yuriy Yurchuk

Johann

François Piolino

Schmidt

Emily Edmonds

Kathchen

Conductor

Antonio Pappano

Stage director

Benoît Jacquot

Costume designer

Christian Gasc

Set designer

Charles Edwards

Royal Opera House

London

United Kingdom

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

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Teacher

Photographer

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Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Joyce DiDonato as Charlotte and Vittorio Grigolo as Werther sing 'Clair de lune' from Jules Massenet's opera Werther, with Antonio Pappano conducting the Orchestra of the Royal Opera House for The Royal Opera, recorded in 2016. Find out more at http://www.roh.org.uk/werther


Jules Massenet began thinking about making an opera from Goethe’s Die Leiden des jungen Werthers (1774; The Sorrows of Young Werther) as early as 1880, before he started work on Manon – though in his memoirs he claimed inspiration came in 1886 during a visit to Bayreuth to see Wagner’s Parsifal. He began the score in 1885 and finished it in 1887, but Werther’s premiere did not come until 1892, when the Vienna Hofoper requested another Massenet work after the success of the local premiere of Manon. It has been a permanent part of the international repertory since 1903. Werther and Manon have proved Massenet’s most enduringly popular works.

The excellent libretto, prepared by Edouard Blau and Paul Milliet, distills Goethe’s Romantic masterpiece – their shortened version intensifies Goethe’s depiction of two passionate people each intent on hurting the other. Its spareness affords Massenet the opportunity to make his music not only delve into the psyches of the central couple but also describe the damage they cause to Sophie and Albert. The score displays Massenet’s gift for melody, with the ‘Clair de lune’, ‘Lied d’Ossian’ and Charlotte’s ‘Prière’ now some of his most loved music. Director Benoît Jacquot’s 2004 production for The Royal Opera, with elegant set designs by Charles Edwards, makes manifest the opera’s theme of keeping up appearances while torrid passions rage beneath.

Werther – 'Clair de lune' (Joyce DiDonato and Vittorio Grigolo, The Royal Opera)

Werther by Massenet, Od (2016/2016), Režie Benoît Jacquot,, Dirigent Antonio Pappano, Royal Opera House, London, United Kingdom

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