Name: What was Vienna humming, what was Paris enchanted by?
Start: 2024-05-23T00:00:00.000Z
End: 2024-05-23T00:00:00.000Z
Location: NOSPR

Organization

Admin

Polish National Radio Symphony Orchestra

Instrumentalist

Alicja Matuszczyk

Oboe

Dagmara Niedziela

Piano

Grzegorz Popławski

Fagott

Bassoon

Oboist

Bassoonist

Pianist

Sångare

oboe

bassoon

What was Vienna humming, what was Paris enchanted by?

Katowice

Polen

NOSPR

Chamber Hall

Public

Trio für Klavier, Oboe & Fagott

Trio for Oboe, Bassoon and Piano

Duo for Oboe and Bassoon, W535

Trio in B-flat major, op. 11

Simon Samuel

Approved

Bass

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Dirigent

Regissör

Librettist

Scenograf

Kostym designer

Koreograf

Ljus designer

Dansare

Skådespelare

Körledare

Video designer

Dramaturg

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Mezzo-soprano

Tenor

Bass-baritone

Soprano

Countertenor

contralto

Spoken

Child vocalist

Silent

Alto

Continuo

The term "Gassenhauer" in Beethoven's time referred to a melody hummed by everyone, a street hit whose origin had long been forgotten. The theme of the final variations in Trio Op. 11 comes from the popular late 18th-century opera L’amor marinaro ossia Il corsaro by Joseph Weigl. Who remembers it today? 

Jean Françaix's Trio na obój, fagot i fortepian, written in 1994, seems to look back at interwar Paris. Françaix remained unwavering in his neoclassicism throughout his life. Seeking to evoke the spirit of Paris, André Previn also composed his Trio in the same year, drawing inspiration from Francis Poulenc's compositions from the 1920s. 

Emerging from a maze of references stands out like a solitary araucaria tree, Heitor Villa-Lobos' Duet na obój i fagot from 1957. The Brazilian composer showcases his exceptional contrapuntal skill in this piece, woven deep into his unique style.

English

What was Vienna humming, what was Paris enchanted by? by Previn, Françaix, Villa-Lobos, Beethoven, Från (2024/2024), NOSPR, Katowice, Polen

Föreställningskrediter (Medverkande & produktionsteam )

Instrumentation

Program, Om & Synopsis

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Föreställningsdatum och lokaler

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