Name: Whelan
Start: 2024-09-26T00:00:00.000Z
End: 2024-09-26T00:00:00.000Z
Location: Espoo Cultural Centre (Espoon kulttuurikeskus)

Admin

Tapiola Sinfonietta

Direzione d'orchestra

Peter Whelan

Orchestra

Whelan

Espoo

Finlandia

Espoo Cultural Centre (Espoon kulttuurikeskus)

Tapiolasali

Public

concert form

Concerto

Concerto brandeburghese n. 1 in fa maggiore BWV 1046

Suite Pulcinella

Ich liebe den Höchsten von ganzem Gemüte, BWV 174

Battalia à 10

Concerto brandeburghese n. 2 in fa maggiore, BWV 1047

Samabedona Majumder

Approvato

Basso

Instrumentalist

Pianoforte

Violinista

Cellist

Violista

Suonatore di flauto

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composizione

Regia

Libretto

Scenografia

Costumi

Coreografia

Luci

Ballerino/a

Recitazione

Direzione del coro

Video

Drammaturgia

Traduzione

Sound designer

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Illustrator

Scrittura

Scrittura ed esecuzione

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Soprano

Singer

Baritono

Controtenore

Tenore

Contralto

Mezzosoprano

Basso-baritono

Verbale

Voce bianca

Silenzioso

Alto

Continuo

Peter Whelan, who rose to fame as a period bassoonist, is known for playing in many baroque ensembles. He is the right man to conduct Bach's first and largest Brandenburg, in which the winds play a prominent role. In the second Brandenburg soloist, there are treble instruments, trumpet, flute, oboe and violin. In the prelude to Cantata No. 174, Bach used themes from the Third Brandenburg Concerto. Biber's battle depiction Battalia represents the earlier German baroque, where warfare is sad, but sometimes also a comic activity. In the 17th century, armies from different countries rumbled all over Europe, and even in this Battalia, it is not known who is fighting and why. In Pulcinella, Stravinsky found the past and breathed life into the notes of the 18th century, which he found in the Naples library, in the sparkling 1920s.

English

Periodifagotistina maineeseen noussut Peter Whelan tunnetaan monien barokkiyhtyeiden riveistä. Hän on oikea mies johtamaan Bachin ensimmäistä ja suurinta Brandenburgilaista, jossa puhaltimilla on näyttävä rooli. Toisessa Brandenburgilaisessa solisteina on diskanttisoittimia, trumpetti, huilu, oboe ja viulu. Kantaatin nro 174 alkusoitossa Bach hyödynsi kolmannen Brandenburgilaisen konserton aiheita. Biberin taistelukuvaus Battalia edustaa varhaisempaa saksalaisbarokkia, jossa sodankäynti on surullista, mutta välillä myös koomista touhua. 1600-luvulla erimaalaiset armeijat rymistelivät Eurooppaa pitkin ja poikin, eikä tässäkään Battaliassa tiedetä, ketkä taistelevat ja miksi. Pulcinellassa Stravinsky löysi menneisyyden ja puhalsi Napolin kirjastosta löytämiinsä 1700-luvun nuotteihin kuohuvaa 1920-lukua henkivän elämän.

suomi

Whelan by Bach, J. S., Stravinsky, Biber, Da (2024/2024), Direttore d'orchestra Peter Whelan, Espoo Cultural Centre (Espoon kulttuurikeskus), Espoo, Finlandia

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