Name: Yevgeny Onegin
Start: 2022-01-25T00:00:00.000Z
End: 2022-03-25T00:00:00.000Z
Location: Rostov State Musical Theatre

Organization

Conductor

Andrey Ivanov

Soprano

Anna Shapovalova

Tatiana

Mezzo-soprano

Elina Odnoromanenko

Filippyevna

Tenor

Yuri Kozhurin

Triquet

Silent

Alexander Anishev

Guillot

Bass

Artur Achylov

Company Commander

Alexander Leichenkov

Costume designer

Natalia Zemalindinova

Chorus master

Elena Klinicheva

Lighting designer

Irina Vtornikova

Choreographer

Gali Abaidulov

Alexey Shakuro

Stage director

Svetlana Guseva

Susanna Takmazyan

Mikhail Pabuzin

Boris Gusev

Prince Gremin

Evgenia Dolgopolova

Larina

Gleb Melanich

Lensky

Contralto

Maria Davydova

Olga

Baritone

Andrei Lohvinau

Eugene Onegin

Anastasia Ovchinnikova

Yulia Izotova

Rostov State Musical Theatre

Yevgeny Onegin -  (Eugene Onegin)

Rostov-on-Don

Russia

Chamber stage

Yevgeny Onegin Tchaikovsky,P

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

Countertenor

Spoken

Child vocalist

Alto

Continuo

The opera "Eugene Onegin" by Tchaikovsky, without a doubt, can be called the most symbolic for the national musical culture. A sensitive composer's thought through the finest nuances and details of music brought bright national characters from the literary pages to the opera stage, displayed a lifestyle and way of thinking. The creators of the Rostov production treated the author's original with care: they saw as their task the need to once again carefully examine how the composer worked with the literary text, what development the images received, how the music revealed the feelings of the characters. The result is full of the charm of the Pushkin era and inspired by the brilliant composer's idea of ​​the performance.

The opera "Eugene Onegin" by Tchaikovsky, without a doubt, can be called the most symbolic for the national musical culture. She is loved by various categories of listeners: from schoolchildren to gray-haired elders, from professionals to sympathizers of classical music. This is the most famous Russian opera abroad. It became a natural continuation of Pushkin's immortal novel in verse, telling us about the Russian man, about time no less than Tolstoy's War and Peace or Gogol's Dead Souls. The sensitive composer's thought, through the finest nuances and details of music, brought bright national characters from the literary pages to the opera stage, displayed the lifestyle and way of thinking, the structure of feelings.

The stage fate of Tchaikovsky's opera, like many others, has been actively invaded by the director's will in the last two or three decades. Innovations that change the essence of the relationship between the characters, often their own fantasies that are completely alien to the original ... could not crush the love of opera among new generations of listeners.

The Rostov Musical Theater aims to return the author's original to its audience. Not afraid of condemnation or indifference of critics, not striving to receive fashion awards or sidelong glances of fans of the modernization of the classics. Turning again to this opera, we wanted to once again comprehend how the composer worked with a literary text, what development the images received, how the music revealed and “prolonged” the feelings of the characters…

We also wanted the listeners to feel the breath of that time, to think a little about what images existed in parallel with the heroes of Onegin, how the characters of Gogol, Griboedov, Lermontov could be found on the pages of the "encyclopedia of Russian life" ... The faces of people of Pushkin's time are also present in scenography, creating a kind of multi-level portrait gallery.

The classic design, the “airiness” of the scenery, the careful selection of props, the desire to create changes in the performance invisible to the viewer that do not stop the action, giving it a kind of “symphony” - all this, in our opinion, corresponds to the poetics of Pushkin's novel...

English

Оперу «Евгений Онегин» Чайковского, без сомнений, можно назвать самой символичной для отечественной музыкальной культуры. Она любима различными категориями слушателей: от школьников до убелённых сединами старцев, от профессионалов до сочувствующих классической музыке. Это самая известная за рубежом русская опера. Она стала естественным продолжением бессмертного романа в стихах Пушкина, говорящего нам о русском человеке, о времени не меньше, чем «Война и мир» Толстого или «Мёртвые души» Гоголя. Чуткая композиторская мысль через тончайшие нюансы и подробности музыки вывела с литературных страниц на оперную сцену яркие национальные характеры, отобразила стиль жизни и образ мыслей, строй чувств.

В сценическую судьбу оперы Чайковского, как и многих других, в последние два-три десятилетия активно вторгается режиссерская воля. Новации, изменяющие суть отношений героев, зачастую абсолютно чуждые оригиналу собственные фантазии… не смогли сокрушить у новых поколений слушателей любви к опере.

Ростовский музыкальный театр ставит задачей вернуть своей публике авторский оригинал. Не страшась осуждения или равнодушия критиков, не стремясь получить модные премии или косые взгляды любителей модернизации классики. Обращаясь вновь к этой опере, мы хотели еще раз постичь, как композитор работал с литературным текстом, какое развитие получили образы, как музыка раскрыла и «продлила» чувства героев…

Мы также хотели, чтобы слушатели ощутили дыхание того времени, немного подумали о том, какие образы существовали параллельно с героями «Онегина», как могли встретиться на страницах «энциклопедии русской жизни» персонажи Гоголя, Грибоедова, Лермонтова… Лица людей пушкинской поры присутствуют и в сценографии, создавая своеобразную многоуровневую портретную галерею.

Классичность оформления, «воздушность» декораций, тщательный подбор деталей реквизита, стремление создать в спектакле невидимые зрителю перемены, не останавливающие действие, придающие ему своеобразную «симфоничность»,  всё это, по нашему мнению, соответствует поэтике пушкинского романа…

русский

Eugene Onegin by Tchaikovsky, P. I., De la (2022/2022), Regizat de către Svetlana Guseva,, Dirijor Andrey Ivanov, Alexey Shakuro, Mikhail Pabuzin, Rostov State Musical Theatre, Rostov-on-Don, Russia

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