Organization

Dyrygent

Ivan Repušić

Reżyseria

Petar Selem

Scenografia

Ivo Knezović

Kostiumy

Dora Argento

Choreografia

Antun Marinić

Przygotowanie chóru

Ana Šabašov

Reżyseria światła

Zoran Mihanović

Śpiewak

Kontralt

Martina Tomčić

Olga

Žana Marendić Bučević

Mezzosopran

Maria Bogaverdes

Filipiewna

Baryton

Alen Ruško

Eugeniusz Oniegin

Feodor Mozhayev

Tenor

Tomislav Mužek

Leński

Saša Jakelić

Ivica Čikeš

Książę Gremin

Ante Jerkunica

Špiro Boban

Triquet

Vinko Maroević

Tonči Banov

Rotmistrz

Zariecki

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Yevgeny Onegin -  (Eugeniusz Oniegin)

Split

Chorwacja

Yevgeny Onegin Tchaikovsky,P

Public

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Sopran

Bas - baryton

Kontratenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Petar Ilyich Tchaikovsky EVGENI ONEGIN > They say that Tchaikovsky's "lyrical scenes" in Evgeni Onegin  "should be understood as an intimate confession of the creator who rests in that work, with all the disorder of a romantic Russian citizen from the second half of the 19th century". But Oneginnot only that, he is also something completely new between the two only possible opera directions at the time: Verdi's and Wagner's. And about the dramaturgical structure of the work, which actually consists of three small operas in one, each of which plunges into the tragedy of another character, it was rightly said that - as much as it was created under the strong impression of Bizet's Carmen - "there are no models in the history of opera". . Therefore, neither the initial national, nor the very recent European, nor today's world popularity of this unique opera is surprising.

English

Petar Iljič Čajkovski EVGENIJ ONJEGIN > Kažu da "lirske prizore" Čajkovskog u Evgeniju Onjeginu  "treba shvatiti kao intimnu ispovijed stvaratelja koji u tom djelu počiva sav, sa svom nesređenošću romantičnoga ruskoga građanina iz druge polovice 19. stoljeća". Ali Onjegin nije samo to, on je i nešto posve novo između dva tada jedino moguća operna pravca: Verdijevog i Wagnerovog. A o dramaturškoj strukturi djela, koje se zapravo sastoji od tri male opere u jednoj, od kojih svaka ponire u tragediju drugog lika, s pravom je rečeno da - koliko god je nastalo pod snažnim dojmom Bizetove Carmen - "nema nikakvih uzora u povijesti opere". Stoga ne čudi ni početna nacionalna, ni vrlo skora europska, kao ni današnja svjetska popularnost ove jedinstvene opere.

hrvatski

Eugeniusz Oniegin by Tchaikovsky, P. I., od (2005/2005), W reżyserii Petar Selem,, Dyrygent Ivan Repušić, HNK, Split, Chorwacja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca