Name: Zenobia, regina de' Palmireni
Start: 2021-10-19T00:00:00.000Z
End: 2021-10-19T00:00:00.000Z
Location: Theater an der Wien

Organization

Singer

Ana Quintans

Zenobia

Countertenor

Valer Sabadus

Aureliano

Tenor

Anicio Zorzi Giustiniani

Ormonte

Raffaella Milanesi

Filidea

Filippo Mineccia

Cleonte

Maria Grazia Schiavo

Lidio

Conductor

Marcello Di Lisa

MusikTheater an der Wien

Orchestra

Concerto de' Cavalieri

taliančina

Zenobia, regina de' Palmireni

Vienna

Austria

Theater an der Wien

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass

Mezzo-soprano

Bass-baritone

Baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Zenobia, the queen of Palmyra, and her son Silvio could only be captured by the Roman emperor Aureliano because Zenobia's own governor Ormonte betrayed his homeland. Aureliano falls in love with Zenobia, but she does not want to submit to him. Then he uses the terrible weapon of blackmail: If Zenobia does not obey, he will kill her son. She remains steadfast against the emperor, but collapses when her son is taken away. A little later the emperor overhears a conversation between Ormonte and Zenobia: Zenobia is supposed to get involved with Aureliano in order to then murder him. But here, too, Zenobia remains steadfast and resolutely rejects this proposal. This in turn compels Aureliano so much respect that he returns Palmyra to her and releases her son. Oromonte is banished. In addition to the characters involved, the virtue of Constantia, steadfastness, plays a major role. It is Zenobia's moral compass, because it resists the advances of Aureliano, although her son's life is in danger, but also the possible revenge on Aureliano offered by the traitorous Ormonte. Her steadfastness pays off as she regains her freedom, her kingdom and her son. Apart from Zenobia, the libretto largely dispensed with deep emotional portraits of the characters. Tommaso Albinoni first appeared as a composer in 1694: In addition to a collection of instrumental works, his first opera was for she resists Aureliano's advances, although her son's life is in danger, but also the possible vengeance on Aureliano offered by the traitorous Ormonte. Her steadfastness pays off as she regains her freedom, her kingdom and her son. Apart from Zenobia, the libretto largely dispensed with deep emotional portraits of the characters. Tommaso Albinoni first appeared as a composer in 1694: In addition to a collection of instrumental works, his first opera was for she resists Aureliano's advances, although her son's life is in danger, but also the possible vengeance on Aureliano offered by the traitorous Ormonte. Her steadfastness pays off as she regains her freedom, her kingdom and her son. Apart from Zenobia, the libretto largely dispensed with deep emotional portraits of the characters. Tommaso Albinoni first appeared as a composer in 1694: In addition to a collection of instrumental works, his first opera was her kingdom and her son again. Apart from Zenobia, the libretto largely dispensed with deep emotional portraits of the characters. Tommaso Albinoni first appeared as a composer in 1694: In addition to a collection of instrumental works, his first opera was her kingdom and her son again. Apart from Zenobia, the libretto largely dispensed with deep emotional portraits of the characters. Tommaso Albinoni first appeared as a composer in 1694: In addition to a collection of instrumental works, his first opera wasZenobia, regina de 'Palmireni premiered at the Teatro Santi Giovanni e Paolo in Venice. It was a great success for the 23-year-old who learned the job of making playing cards in his father's company. From then on Albinoni remained loyal to music and quickly became one of the most important composers in Europe, creating an extensive oeuvre that was quickly forgotten. Only seven of the assumed 50 operas are currently identified. The first modern performance of Zenobia took place at the Damascus Opera House in Syria in 2008 - historic Palmyra was on the territory of the modern city of Tadmur, about 250 km from Damascus.

English

Zenobia, regina de' Palmireni by Albinoni, Od (2021/2021), Dirigent Marcello Di Lisa, Theater an der Wien, Vienna, Austria

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