Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 2000 — Atzo
Le Coq d'or (The Golden Cockerel), Rimsky-Korsakov
Komische Oper BerlinLighting designer
Ikusi antzezle eta ekipoaSweeney Todd: The Demon Barber of Fleet Street (Sweeney Todd), Sondheim
Opernhaus ZürichLighting designer
Ikusi antzezle eta ekipoa-
Le Coq d'or (The Golden Cockerel), Rimsky-Korsakov
Komische Oper BerlinLighting designer
Ikusi antzezle eta ekipoaLe nozze di Figaro (The Marriage of Figaro), Mozart
Wiener StaatsoperLighting designer
Ikusi antzezle eta ekipoaol.19:00
Vienna, AustriaLa cage aux folles, Herman
Komische Oper BerlinLighting designer
Ikusi antzezle eta ekipoalr.19:30
Berlin, GermanyCarmen, Bizet
Opernhaus ZürichLighting designer
Ikusi antzezle eta ekipoalr.19:00
Zurich, SwitzerlandLa cage aux folles, Herman
Komische Oper BerlinLighting designer
Ikusi antzezle eta ekipoaar.19:00
Berlin, GermanyCarmen, Bizet
Opernhaus ZürichLighting designer
Ikusi antzezle eta ekipoaaz.19:00
Zurich, SwitzerlandLe nozze di Figaro (The Marriage of Figaro), Mozart
Wiener StaatsoperLighting designer
Ikusi antzezle eta ekipoaaz.19:00
Vienna, AustriaDas Rheingold (The Rhinegold), Wagner, Richard
Opernhaus ZürichLighting designer
Ikusi antzezle eta ekipoaLe nozze di Figaro (The Marriage of Figaro), Mozart
Wiener StaatsoperLighting designer
Ikusi antzezle eta ekipoalr.19:00
Vienna, AustriaLa cage aux folles, Herman
Komische Oper BerlinLighting designer
Ikusi antzezle eta ekipoalr.19:30
Berlin, GermanyDie Walküre (The Valkyrie), Wagner, Richard
Opernhaus ZürichLighting designer
Ikusi antzezle eta ekipoa<p><span style="color: rgb(40, 40, 40);">Franck Evin was born in Nantes. He began his career at the age of 19 as a pianist, playing for singers at the Café Théâtre Le Connétable. At this time, he began to take an interest in lighting designs then he turned himself to a new area: a combination of music and technique. Thanks to a grant awarded by the French Ministry of Culture he went to work in Lyon at the Opera as Chief electrician assistant. There, he worked with artists such as Ken Russell and Robert Wilson. In 1986 he started to work as lighting designer at the Düsseldorf Schauspielhaus. This year marked the beginning of a close relationship with Werner Schröter and the start of experimental projects in abandoned facilities of the Ruhr area with Eberhard Kloke and the Bochumer Symphonik