Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 1990 — Atzo
Die lustige Witwe (The Merry Widow), Lehár
St Petersburg Theatre of Musical ComedyStage director + 1 rol
Ikusi antzezle eta ekipoaDie Fledermaus (The Bat), Strauss II
Teatr Wielki ŁódźStage director + 2 rol
Ikusi antzezle eta ekipoaGalowy Koncert Inauguracyjny, MozartGluckGounodVerdiBizetPucciniDonizettiMascagni
Opera WrocławskaChoreographer
Ikusi programa, aktoreak eta lantaldeakWiener Blut (Viennese Blood), Strauss IIJr.
Theatre VanemuineStage director + 2 rol
Ikusi antzezle eta ekipoaDie lustige Witwe (The Merry Widow), Lehár
St Petersburg Theatre of Musical ComedyStage director + 1 rol
Ikusi antzezle eta ekipoaDie Fledermaus (The Bat), Strauss II
Teatr Wielki ŁódźStage director + 2 rol
Ikusi antzezle eta ekipoaGalowy Koncert Inauguracyjny, MozartGluckGounodVerdiBizetPucciniDonizettiMascagni
Opera WrocławskaChoreographer
Ikusi programa, aktoreak eta lantaldeakTurandot, Puccini
Theatre VanemuineStage director + 1 rol
Ikusi antzezle eta ekipoaZemsta Nietoperza, Strauss II
Grand Theatre, ŁódźStage director + 2 rol
Ikusi antzezle eta ekipoaPresentation Trailer Giorgio Madia
Giorgio Madia graduated from the ballet school of Teatro alla Scala in Milan and was hired in the company and the end of his studies. He joined Maurice Béjart’s “Ballet du XXièmesiècle”, later “Béjart Ballet Lausanne” as Soloist Dancer. He was Principal Dancer with Pennsylvania Ballet, Milwaukee Ballet, San Francisco Ballet, Aterballetto and Zurich Ballet. Rudolf Nureyev invited him for his three years long world farewell tour to dance with him among others Maurice Béjart’s duet “Le Chant du compagnon errant” and José Limón’s “Moor´s Pavane”. In 1997 Giorgio Madia concluded his dancing career, worked as First Ballet Master at Balletto di Toscana, Ballett Basel and BerlinBallett in the Komische Oper Berlin. He was Artistic Director for the Ballet of Teatr Wielki in Łodz and from 2003 to 200