Izrādes kredīti
Gaidāmās izrādes Šodien Uz priekšu
Iepriekšējās izrādes 1990 — vakar
La Cenerentola (Cinderella), Rossini
Opera KrakowskaChoreographer + 1 lomas
Skatīt dalībniekus un komanduDie Fledermaus (The Bat), Strauss II
Teatr Wielki ŁódźStage director + 2 lomas
Skatīt dalībniekus un komanduGalowy Koncert Inauguracyjny, MozartGluckGounodVerdiBizetPucciniDonizettiMascagni
Opera WrocławskaChoreographer
Skatīt programmu, dalībniekus un komanduWiener Blut (Viennese Blood), Strauss IIJr.
Theatre VanemuineStage director + 2 lomas
Skatīt dalībniekus un komanduThe Nutcracker, op. 71, Tchaikovsky, P. I.
Staatstheater CottbusStage director + 2 lomas
Skatīt dalībniekus un komanduPiedāvātās iepriekšējās izrādes
La Cenerentola (Cinderella), Rossini
Opera KrakowskaChoreographer + 1 lomas
Skatīt dalībniekus un komandu
Die Fledermaus (The Bat), Strauss II
Teatr Wielki ŁódźStage director + 2 lomas
Skatīt dalībniekus un komandu
Galowy Koncert Inauguracyjny, MozartGluckGounodVerdiBizetPucciniDonizettiMascagni
Opera WrocławskaChoreographer
Skatīt programmu, dalībniekus un komandu
Wiener Blut (Viennese Blood), Strauss IIJr.
Theatre VanemuineStage director + 2 lomas
Skatīt dalībniekus un komanduGaidāmās izrādes
4Turandot, Puccini
Theatre VanemuineStage director + 1 lomas
Skatīt dalībniekus un komanduDie lustige Witwe (The Merry Widow), Lehár
St Petersburg Theatre of Musical ComedyStage director + 1 lomas
Skatīt dalībniekus un komanduTurandot, Puccini
Theatre VanemuineStage director + 1 lomas
Skatīt dalībniekus un komanduPk19:00
Tartu, EstoniaIevadvideo
1
Presentation Trailer Giorgio Madia
Biogrāfija
Giorgio Madia graduated from the ballet school of Teatro alla Scala in Milan and was hired in the company and the end of his studies. He joined Maurice Béjart’s “Ballet du XXièmesiècle”, later “Béjart Ballet Lausanne” as Soloist Dancer. He was Principal Dancer with Pennsylvania Ballet, Milwaukee Ballet, San Francisco Ballet, Aterballetto and Zurich Ballet. Rudolf Nureyev invited him for his three years long world farewell tour to dance with him among others Maurice Béjart’s duet “Le Chant du compagnon errant” and José Limón’s “Moor´s Pavane”. In 1997 Giorgio Madia concluded his dancing career, worked as First Ballet Master at Balletto di Toscana, Ballett Basel and BerlinBallett in the Komische Oper Berlin. He was Artistic Director for the Ballet of Teatr Wielki in Łodz and from 2003 to 200
