Uznanie za predstavenie
Nadchádzajúce predstavenia Dnes ďalej
Minulé vystúpenia 2005 – včera
La Fille du régiment (The Daughter of the Regiment), Donizetti
Opéra de Monte-CarloTonio
Pozrite si hercov a štábL'elisir d'amore (The Elixir of Love), Donizetti
Bayerische StaatsoperNemorino
Pozrite si hercov a štábJavier Camarena-Temporada De Grandes Conciertos Del Auditorio 2023-2024, Various
Auditorio de ZaragozaTenor
Pozrite si hercov a štábOdporúčané minulé vystúpenia
La Fille du régiment (The Daughter of the Regiment), Donizetti
Opéra de Monte-CarloTonio
Pozrite si hercov a štáb
L'elisir d'amore (The Elixir of Love), Donizetti
Bayerische StaatsoperNemorino
Pozrite si hercov a štáb
Javier Camarena-Temporada De Grandes Conciertos Del Auditorio 2023-2024, Various
Auditorio de ZaragozaTenor
Pozrite si hercov a štáb
Nadchádzajúce predstavenia
20Gala lírica del Gran Teatre del Liceu, Various
Gran Teatre del LiceuTenor
Pozrite si hercov a štábRigoletto, Verdi
Lyric Opera of ChicagoIl Duca di Mantova (The Duke of Mantua)
Pozrite si hercov a štábDon Pasquale, Donizetti
Donizetti OperaErnesto
Pozrite si hercov a štábLa Traviata (La traviata), Verdi
Gran Teatre del LiceuAlfredo Germont (Alfred Germont)
Pozrite si hercov a štábpi19:30
Barcelona, Spainpo19:30
Barcelona, Spainst19:30
Barcelona, Spainpo19:30
Barcelona, Spainšt19:30
Barcelona, Spainso19:00
Barcelona, Spain
Životopis
“His good-sized voice is of uncommon beauty from bottom to top; the middle of the voice in particular is virile and darkish in color, but with a burnished glow… recitatives, subito pianos, long diminuendos on high notes, tasteful rubatos, cadenzas and variations that are born out of the drama…” Mexican tenor Javier Camarena is the preeminent Mozart and bel canto specialist of his generation. Praised for his burnished tone, gleaming high notes, flawless coloratura and veracious portrayals, he regularly appears in leading roles alongside today’s foremost stars at the world’s top opera houses, and was the face of Opera News’s 80th anniversary edition in 2018. As Ernesto in Donizetti’s Don Pasquale, he became only the second singer in Metropolitan Opera history to perform encores in multiple
