Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 1994 — Ilbieraħ
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Bayerische StaatsoperFilippyevna
Ara l-cast u l-ekwipaġġYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
San Carlo Opera FestivalFilippyevna
Ara l-cast u l-ekwipaġġYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Filippyevna
Ara programm, cast u ekwipaġġPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Gran Teatre del LiceuGrafinya (Countess)
Ara l-cast u l-ekwipaġġYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Wiener StaatsoperFilippyevna
Ara l-cast u l-ekwipaġġYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Wiener StaatsoperFilippyevna
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Bayerische StaatsoperFilippyevna
Ara l-cast u l-ekwipaġġ
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
San Carlo Opera FestivalFilippyevna
Ara l-cast u l-ekwipaġġ
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Filippyevna
Ara programm, cast u ekwipaġġ
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Gran Teatre del LiceuGrafinya (Countess)
Ara l-cast u l-ekwipaġġ
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Wiener StaatsoperFilippyevna
Ara l-cast u l-ekwipaġġPrestazzjonijiet li ġejjin
7Die Passagierin (The Passenger), Weinberg
Bavarian State OperaBronka
Ara l-cast u l-ekwipaġġDie Passagierin (The Passenger), Weinberg
Bavarian State OperaBronka
Ara l-cast u l-ekwipaġġ
Bijografija
LARISSA DIADKOVA Mezzo soprano Larissa Diadkova is a principal artist of the Mariinsky Theatre, where she has enjoyed a longstanding artistic relationship with the company’s music director, Valery Gergiev. She is a graduate of the Leningrad Conservatory where she studied with Professor Iraida Levando. She made her professional debut in Europe in 1991 as Liubov in Tchaikovsky’s Mazeppa at the Bregenz Festival. In addition to the Russian musical literature, Larissa’s name has become synonymous with the repertoire of Bach, Handel, Mahler, Wagner and, in particular, Verdi. It was as Ulrica in Verdi’s Un ballo in maschera at the Maggio Musicale Fiorentino that she was established as a major international artist in this repertoire. She was invited back to the Maggio to sing Amneris Aida and too
