Léirithe le Teacht Inniu go dtí 2024
Léirithe san am a chuaigh thart 2004 — 2024
Rusalka, Dvořák, Antonín
Ópera de TenerifeCizí kněžna (Princess)
Féach ar an bhfoireann agus an fhoireannBregenzer Meisterkonzerte 2024, BergWebernSchoenberg, ArnoldDünser
Klangforum WienSoprano
Féach ar an gclár, an fhoireann agus an fhoireannKlangforum Wien / Hofmann / Ahonen / Cambreling - Erwachen, Various
Wiener KonzerthausSoprano
Féach ar an bhfoireann agus an fhoireannLes contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Semperoper DresdenGiulietta (Juliet)
Féach ar an bhfoireann agus an fhoireannIl Trittico, Puccini
Saarländisches StaatstheaterGiorgetta
Féach ar an gclár, an fhoireann agus an fhoireann-
Rusalka, Dvořák, Antonín
Ópera de TenerifeCizí kněžna (Princess)
Féach ar an bhfoireann agus an fhoireannBregenzer Meisterkonzerte 2024, BergWebernSchoenberg, ArnoldDünser
Klangforum WienSoprano
Féach ar an gclár, an fhoireann agus an fhoireannKlangforum Wien / Hofmann / Ahonen / Cambreling - Erwachen, Various
Wiener KonzerthausSoprano
Féach ar an bhfoireann agus an fhoireannLes contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Semperoper DresdenGiulietta (Juliet)
Féach ar an bhfoireann agus an fhoireannDie Walküre (The Valkyrie), Wagner, Richard
Saarländisches StaatstheaterBrünnhilde
Féach ar an bhfoireann agus an fhoireannFreitag, Der Dreizehnte / Ein Abend Für Arnold Schönberg, Various
MusikTheater an der WienSoloist
Féach ar an bhfoireann agus an fhoireannhAo19:00
Vienna, AustriaDom19:00
Vienna, AustriaMái19:00
Vienna, AustriahAo19:00
Vienna, AustriaMagdalena Anna Hofmann was born in Warsaw and completed her formal vocal training in Vienna. Prior to her debut in the soprano repertoire, the artist already performed at prestigious opera theatres and festivals such as the Teatro alla Scala, Milan, the Bregenz Festival and the Theater an der Wien. In 2011 she sang her first soprano role, Contessa Almaviva in Le nozze di Figaro at the Klosterneuburg Festival, followed by her first and highly acclaimed Kundry in a new production of Wagner’s Parsifal at the Rahvusooper, Tallinn. Performances since then have included several important debuts such as Schönberg’s Erwartung and Dallapiccola’s Il prigioniero at the Opéra de Lyon, Portia in Tchaikovsky’s The Merchand Of Venice at the Bregenz Festival and con