Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2011 — Inné
Flight, Dove
Oldenburgisches StaatstheaterThe Refugee (Refugee)
Féach ar an bhfoireann agus an fhoireannPassione secondo matteo, Bach, J. S.
La VerdiAlto (Mezzo-soprano)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Flight, Dove
Oldenburgisches StaatstheaterThe Refugee (Refugee)
Féach ar an bhfoireann agus an fhoireann
Passione secondo matteo, Bach, J. S.
La VerdiAlto (Mezzo-soprano)
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
5Orfeo ed Euridice (Orpheus and Eurydice), Gluck
Israeli OperaOrfeo
Féach ar an bhfoireann agus an fhoireannPartenope, Händel
San Francisco OperaArmindo (Prince Armindo of Rhodes)
Féach ar an bhfoireann agus an fhoireannIntro showreel
6
Più non cura from Il Trionfo del Tempo e del Disinganno (G.F. Händel) | Staatsoper Hannover
Beathaisnéis
Nicholas Tamagna’s meteoric rise in recent years has made him one of the world’s most fascinating alto voices. Highlights of the last few seasons were undoubtedly his interpretation of Ermano in the award-winning CD recording of Gismondo, re di Polonia (Leonardo Vinci) on the Parnassus label and its extensive concert tour, his MET debut in March 2020 in Sir David’s McVicar’s re-visited production of Händel’s Agrippina as Narciso, at the side of Joyce DiDonato, Harry Bicket, Kate Lindsey and Brenda Rae as well as the worldwide cinema broadcast of the performance and his spectacular interpretation of the Händel roles Ruggiero in Alcina and Silvio in Il Pastor Fido at the Händel Festival in Halle, Tolomeo in Giulio Cesare in Egitto at the Göttingen Händel Festival, and most recently his debut
