Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 1993 — Atzo
Un ballo in maschera (A Masked Ball), Verdi
The Metropolitan OperaLighting designer
Ikusi antzezle eta ekipoaUn ballo in maschera (A Masked Ball), Verdi
The Metropolitan OperaLighting designer
Ikusi antzezle eta ekipoaAndrea Chénier, Giordano
Royal Opera HouseLighting designer
Ikusi antzezle eta ekipoaPartenope, Händel
San Francisco OperaLighting designer
Ikusi antzezle eta ekipoalr.19:30
San Francisco, United StatesAdriana Lecouvreur, Cilea
Gran Teatre del LiceuLighting designer
Ikusi antzezle eta ekipoaPartenope, Händel
San Francisco OperaLighting designer
Ikusi antzezle eta ekipoaaz.19:30
San Francisco, United StatesAdriana Lecouvreur, Cilea
Gran Teatre del LiceuLighting designer
Ikusi antzezle eta ekipoaaz.19:30
Barcelona, Spainog.19:30
Barcelona, Spainlr.19:00
Barcelona, SpainPartenope, Händel
San Francisco OperaLighting designer
Ikusi antzezle eta ekipoaig.14:00
San Francisco, United Statesar.19:30
San Francisco, United StatesAdriana Lecouvreur, Cilea
Gran Teatre del LiceuLighting designer
Ikusi antzezle eta ekipoaaz.19:30
Barcelona, SpainPartenope, Händel
San Francisco OperaLighting designer
Ikusi antzezle eta ekipoaol.19:30
San Francisco, United StatesAdriana Lecouvreur, Cilea
Gran Teatre del LiceuLighting designer
Ikusi antzezle eta ekipoalr.19:00
Barcelona, SpainAdriana Lecouvreur, Cilea
Teatro Real de MadridLighting designer
Ikusi antzezle eta ekipoaDie Dunkle Seite Des Mondes (Dark Side of the Moon) (Die Dunkle Seite Des Mondes), Chin
Staatsoper HamburgLighting designer
Ikusi antzezle eta ekipoaAmerican lighting designer Adam Silverman made his Royal Opera debut in 2010 on Adriana Lecouvreur, directed by David McVicar, and his Royal Ballet debut in 2013 on Christopher Wheeldon’s Aeternum. He has since returned to create the lighting design for Andrea Chénier, directed by McVicar for The Royal Opera, for The Last Hotel, a co-commission and co-production between Landmark Productions and Wide Open Opera, for Arthur Pita’s The Wind for The Royal Ballet and for Lohengrin, directed by David Alden, for The Royal Opera. He returns in the 2018/19 Season as lighting designer for Sidi Larbi Cherkaoui's Medusa. Silverman trained at the North Carolina School of the Arts and now works extensively in opera, theatre and dance. Opera credits include Un ballo in maschera for the Metropolitan Opera