Esityksen ansiot
Aiemmat esitykset 2014 – eilen
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreSoloist
Näytä roolitus ja tuotantotiimi-
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Näytä roolitus ja tuotantotiimi-
Parisian Life, Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Näytä roolitus ja tuotantotiimiLa vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Näytä roolitus ja tuotantotiimiLe nozze di Figaro (The Marriage of Figaro), Mozart
Opera Nationala Romana TimisoaraLa Contessa di Almaviva (The Countess of Almaviva)
Näytä roolitus ja tuotantotiimi-
Die Csárdásfürstin (The Gypsy Princess), Kálmán
HNK OsijekSylva Varescu
Näytä roolitus ja tuotantotiimi-
Suositellut aiemmat esitykset
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Näytä roolitus ja tuotantotiimi-
Parisian Life, Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Näytä roolitus ja tuotantotiimi
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Näytä roolitus ja tuotantotiimi
Le nozze di Figaro (The Marriage of Figaro), Mozart
Opera Nationala Romana TimisoaraLa Contessa di Almaviva (The Countess of Almaviva)
Näytä roolitus ja tuotantotiimi-
Die Csárdásfürstin (The Gypsy Princess), Kálmán
HNK OsijekSylva Varescu
Näytä roolitus ja tuotantotiimi-
Intro-koostevideo
3
Lakmé Air des clochettes
Esittelyvideot
3
Biografia
Ana Cvetkovic is a much-praised lyric-coloratura soprano from Serbia. Whether she per-forms recitals, sings with a chamber ensemble or carries out some of the most significant opera roles, Ana Cvetkovic-Stojnic is vocally, theatrically and visually a first-class. Her first significant opera engagement was at German State Opera House, Coburg (2014-2017) where she had the chance to expand her repertoire in 15 different roles. She made a breakthrough with the part of Konstanze („Die Entführung aus dem Serail“) which brought her sensational reviews – the critics described her Konstanze as a fascinating combination of seemingly effortlessly coloratura-speed and lyrical intensity. Besides her “fragile-tough” interpretation of Mozart’s heroine, the highlight of Ana’s career, so far, are the rol
