Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2016 — Ilbieraħ
The Tale of Tsar Saltan, Rimsky-Korsakov
La Monnaie/De MuntTsaritsa Militrisa (Militrisa)
Ara l-cast u l-ekwipaġġThe Nose, op. 15, Shostakovich
La Monnaie/De MuntThe Mother (A Mother) + 3 rwoli
Ara l-cast u l-ekwipaġġDie Fledermaus (The Bat), Strauss II
Vienna - Tel Aviv Vocal ConnectionRosalinde
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
The Tale of Tsar Saltan, Rimsky-Korsakov
La Monnaie/De MuntTsaritsa Militrisa (Militrisa)
Ara l-cast u l-ekwipaġġ
The Nose, op. 15, Shostakovich
La Monnaie/De MuntThe Mother (A Mother) + 3 rwoli
Ara l-cast u l-ekwipaġġ
Die Fledermaus (The Bat), Strauss II
Vienna - Tel Aviv Vocal ConnectionRosalinde
Ara l-cast u l-ekwipaġġPrestazzjonijiet li ġejjin
4Le nozze di Figaro (The Marriage of Figaro), Mozart
Vienna - Tel Aviv Vocal ConnectionLa Contessa di Almaviva (The Countess of Almaviva)
Ara l-cast u l-ekwipaġġIntro showreel
1
Tchaikovsky “Mazeppa” Maria
Vidjows tal-prestazzjoni dehru
3
Bijografija
Eugenia Dushina studied at the Tchaikovsky Conservatory in Moscow and also began her singing career in Russia, where she appeared on a number of operatic stages. As a soloist of Moscow’s historic Natalya Sats Musical Theater, she sang smaller roles in works such as Bizet’s Carmen and Ravel’s L’enfant et les sortilèges. Before long she was making guest appearances in major roles all over Russia such as Tatyana in Eugene Onegin and Mimi in La Bohème at the Saratov opera theater , Nedda in Pagliacci and Tchaikovsky’s Iolanta at the Krasnoyarsk State opera and Magnitogorsk opera. In 2016, she moved to Europe in order to develop her career. While completing postgraduate studies at Vienna’s University of Music and Performing Arts in 2017, she made her European debut as Nedda in Pa
