FRANCO VASSALLO "Vieni la mia vendetta" Lucrezia Borgia, G.Donizetti, Bavarian State Oper Munich
Franco Vassallo
Baritone
Tulevased etendused Tänasest Edasi
Varasemad etendused 1994 – eile
Un ballo in maschera (A Masked Ball), Verdi
Palau de les Arts Reina SofiaRenato / Count Anckarström (Renato)
Vaadake näitlejaid ja meeskondaTieni il tempo!, MozartRossiniVerdiMassenet
Orchestra Filarmonica di TorinoBaritone
Vaadake programmi, näitlejaid ja meeskondaLa Traviata (La traviata), Verdi
Teatro Massimo BelliniGiorgio Germont (George Germont)
Vaadake näitlejaid ja meeskonda-
Un ballo in maschera (A Masked Ball), Verdi
Palau de les Arts Reina SofiaRenato / Count Anckarström (Renato)
Vaadake näitlejaid ja meeskondaTieni il tempo!, MozartRossiniVerdiMassenet
Orchestra Filarmonica di TorinoBaritone
Vaadake programmi, näitlejaid ja meeskondaLa Traviata (La traviata), Verdi
Teatro Massimo BelliniGiorgio Germont (George Germont)
Vaadake näitlejaid ja meeskonda-
Un ballo in maschera (A Masked Ball), Verdi
Palau de les Arts Reina SofiaRenato / Count Anckarström (Renato)
Vaadake näitlejaid ja meeskondaIl trittico, Puccini
Teatro Comunale di BolognaMichele
Vaadake programmi, näitlejaid ja meeskondaLa Gioconda, Ponchielli
Barnaba
Vaadake näitlejaid ja meeskondaOtello (Othello), Verdi
Teatro Massimo BelliniJago (Iago)
Vaadake näitlejaid ja meeskondaFranco Vassallo is a native of Milan where at a very early age he discovered his great enthusiasm for Opera and Classical music. His unusual singing talent was spotted by a teacher at school who heard him singing in the corridors. The teacher was able to introduce him to his father, the baritone Carlo Meliciani , who had studied singing with the great Carlo Tagliabue and who then became Vassallo’s teacher. Meliciani encouraged him to attend the Civic School of Music in Milan (which is nowadays dedicated to the memory of Claudio Abbado). Vassallo understood that a developed artist must have broad interests, so later he devoted himself to the study of Literature and Philosophy at the State University of Milan. He was also aware of how very important is the dramatic structure of Opera an