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Pretekle predstave 2014 — Včeraj
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreSoloist
Oglejte si igralce in ekipo-
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Oglejte si igralce in ekipo-
Parisian Life, Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Oglejte si igralce in ekipoLa vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Oglejte si igralce in ekipoLe nozze di Figaro (The Marriage of Figaro), Mozart
Opera Nationala Romana TimisoaraLa Contessa di Almaviva (The Countess of Almaviva)
Oglejte si igralce in ekipo-
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Predstavljeni pretekli nastopi
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Oglejte si igralce in ekipo-
Parisian Life, Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Oglejte si igralce in ekipo
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Oglejte si igralce in ekipo
Le nozze di Figaro (The Marriage of Figaro), Mozart
Opera Nationala Romana TimisoaraLa Contessa di Almaviva (The Countess of Almaviva)
Oglejte si igralce in ekipo-
-
Uvodni showreel
3
Lakmé Air des clochettes
Predstavljeni videoposnetki nastopov
3
Biografija
Ana Cvetkovic is a much-praised lyric-coloratura soprano from Serbia. Whether she per-forms recitals, sings with a chamber ensemble or carries out some of the most significant opera roles, Ana Cvetkovic-Stojnic is vocally, theatrically and visually a first-class. Her first significant opera engagement was at German State Opera House, Coburg (2014-2017) where she had the chance to expand her repertoire in 15 different roles. She made a breakthrough with the part of Konstanze („Die Entführung aus dem Serail“) which brought her sensational reviews – the critics described her Konstanze as a fascinating combination of seemingly effortlessly coloratura-speed and lyrical intensity. Besides her “fragile-tough” interpretation of Mozart’s heroine, the highlight of Ana’s career, so far, are the rol
