Angelo Bonazzoli

Angelo Bonazzoli

Countertenor
Bio: I began at the age of 16 years. I started to attend singing lessons with M. Gilberto Del Chierico. I proceded in my formation by participating in masterclasses held by William Matteuzzi, Claudio Cavina, Fabio Bondi. I perfected my studies with M. Angelo Manzotti. I made my debut in 2001 in the Carmina Burana of Karl Orff, with Santa Cecilia percussionists of Rome. In july 2006 in Genova, I took part in Giulio Cesare by Handel and the performance was recorded for Concerto music media of Milan. In the winter of the same year, I was in Sagra Musicale Malatestiana of Rimini. In 2007 I was in Milan with M. Manzotti to perform in Vivaldi sacred opera Gloria and Magnificat for Ueco Foundation, with which I took part in other sacred operas: Hayden’s Thiresien Messe, Boccherini’s and Pergolesi’s Stabat Mater. I took part in the first performance of  Piramo e Tisbe at the Filippo Marchetti Theater of Camerino with M. Lamberto Lugli, for the hundredth anniversary of Rauzzini ‘s birth. In 2009 I was in Martina Franca for Valle d’Itria Festival in Orfeo ed Euridice by Gluck – Bach. In the same year I played with an ancient consort Bella Gerit, to open 41 Festival Internazionale di Musica antica of Urbino. Always with the same ensamble  I took part in a performance that comprehends maths, dance, and renaissance music at the Raffaello Sanzio Theatre in Urbino, De Divina Proportione. The same show was replicated at the Rossini Theater within the review Teatro Oltre, and the Ravenna Festival in 2011. Together with M. Susanna Pescetti, I perform in several prestigious productions: Oratorio per il Santo Natale by Leonardo Leo, a selection of Domenico Sarro’s Achille in Sciro, and the Italian premier of the Te Deum by Niccolò Jommelli. In 2012 I took part in the first performance of Ilarocosmo by Pietro Pace, for Musica Amoeni Loci. In 2011 I was in Ukraine; on this occasion I took part in a great concert with M. Ivano Caiazza for XXX Virtuosos Festival in Lviv. In 2011 I took part in the preparation of the soundtrack of the film by Michael Kosakowski Zero Killed with music by Paolo Marzocchi. I sang  the first modern performance, Libro di Mottetti a voce sola e organo by Bartolomeo Barbarino da Fabriano called Pesarino, together M. Willem Peerik. In 2012,  I made my debut as Liscione in Scarlatti’s Dirindina, in the season of the Alessandri Lanari Foundation of Jesi. From 2010 to 2013, I worked with the musical academy Clivis of  Rome. In my country I have received the award Golden ear, for the art and culture section. In 2013 I made my debut as third Pastore in Monteverdi’s Orfeo. In 2014 I took part in Gluck’s Orfeo e Euridice, in the role of Orfeo, staged at the Repubblica hall of the Rossini Theater in Pesaro, Moriconi’s Theatre in Jesi, and in Augusto Massari Theatre in San Giovanni in Marignano. In July 2015 at the early music festivals Marche Musicae Amoeni Loci, deals with the Actus Tragicus of Bach and The Seven Words of Jesus Christ of Schutz. In December 2015 at the Teatro San Carlo, he took part as a soloist in the concert for the inauguration of the group the Real Chapel of Naples, directed by M. Ivano Caiazza. In March 2016 he performed the Lecons de tenebre de Couperin at the festival Musicae Sacrae Loci in Pesaro. In May was Oraspe in early modern revival of  Zenobia in Palmira by Paisiello, for 200 of his birth at the Teatrino of the court; In June, the first modern revival of Narciso Amor d’un ombra gelosia d’un aura ovvero Eco e Narciso by Domenico Scarlatti, together with the Ensemble Baroque Rome directed by M. Lorenzo Tozzi, with engraving record for Bongiovanni. E 'was again Liscione in Dirindina Scarlatti at the Villa Floridiana and Riardo together with the Real Chapel of Naples directed by M. Ivano Caiazza. In October, it will take part in Aria otherworldly performance that incorporates Baroque music and contemporary dance together with the No Gravity Dance Company Emiliano Pellisari and Rome Baroque ensemble conducted by M. Lorenzo Tozzi at the Teatro Olimpico in Rome. It will also Orfeo in Orfeo ed Euridice by Gluck in San Giovanni in Marignano. In  November will participate in the opera by Francesca Caccini La liberazione di Ruggero dall’isola di Alcina, promoted in the season from the Oratorio Gonfalone of  Rome together with the Rome Baroque Ensemble directed by M. Lorenzo Tozzi, engraving record for Bongiovanni. In February 2017 replied Aria to Krakow at the Festival Materia Prima, and the Municipal Theatre of Piacenza. I graduated in singing from Conservatoire Rossini in Pesaro; also in Pesaro I graduated in musicology in 2012, and in composition musicology in 2014. I’m attending the course in choral music and conduction. I collaborate with the Santa Lucia Music School, both teaching singing, and the realization of musical projects. Musical projects includes: Stabat Mater by Pergolesi, Vivaldi’s Gloria and a selection of Juditha Triumphans, Te deum by Charpentier, a selection from Marc’Antonio e Cleopatra by Hasse,  I wrote an essay on the composer  Massari. Future engagements include: the premier of  Biancaneve by Augusto Massari, and Petite Messe Solennelle by Gioachino Rossini.
...More
Bio: I began at the age of 16 years. I started to attend singing lessons with M. Gilberto Del Chierico. I proceded in my formation by participating in masterclasses held by William Matteuzzi, Claudio Cavina, Fabio Bondi. I perfected my studies with M. Angelo Manzotti. I made my debut in 2001 in the Carmina Burana of Karl Orff, with Santa Cecilia percussionists of Rome. In july 2006 in Genova, I took part in Giulio Cesare by Handel and the performance was recorded for Concerto music media of Milan. In the winter of the same year, I was in Sagra Musicale Malatestiana of Rimini. In 2007 I was in Milan with M. Manzotti to perform in Vivaldi sacred opera Gloria and Magnificat for Ueco Foundation, with which I took part in other sacred operas: Hayden’s Thiresien Messe, Boccherini’s and Pergolesi’s Stabat Mater. I took part in the first performance of  Piramo e Tisbe at the Filippo Marchetti Theater of Camerino with M. Lamberto Lugli, for the hundredth anniversary of Rauzzini ‘s birth. In 2009 I was in Martina Franca for Valle d’Itria Festival in Orfeo ed Euridice by Gluck – Bach. In the same year I played with an ancient consort Bella Gerit, to open 41 Festival Internazionale di Musica antica of Urbino. Always with the same ensamble  I took part in a performance that comprehends maths, dance, and renaissance music at the Raffaello Sanzio Theatre in Urbino, De Divina Proportione. The same show was replicated at the Rossini Theater within the review Teatro Oltre, and the Ravenna Festival in 2011. Together with M. Susanna Pescetti, I perform in several prestigious productions: Oratorio per il Santo Natale by Leonardo Leo, a selection of Domenico Sarro’s Achille in Sciro, and the Italian premier of the Te Deum by Niccolò Jommelli. In 2012 I took part in the first performance of Ilarocosmo by Pietro Pace, for Musica Amoeni Loci. In 2011 I was in Ukraine; on this occasion I took part in a great concert with M. Ivano Caiazza for XXX Virtuosos Festival in Lviv. In 2011 I took part in the preparation of the soundtrack of the film by Michael Kosakowski Zero Killed with music by Paolo Marzocchi. I sang  the first modern performance, Libro di Mottetti a voce sola e organo by Bartolomeo Barbarino da Fabriano called Pesarino, together M. Willem Peerik. In 2012,  I made my debut as Liscione in Scarlatti’s Dirindina, in the season of the Alessandri Lanari Foundation of Jesi. From 2010 to 2013, I worked with the musical academy Clivis of  Rome. In my country I have received the award Golden ear, for the art and culture section. In 2013 I made my debut as third Pastore in Monteverdi’s Orfeo. In 2014 I took part in Gluck’s Orfeo e Euridice, in the role of Orfeo, staged at the Repubblica hall of the Rossini Theater in Pesaro, Moriconi’s Theatre in Jesi, and in Augusto Massari Theatre in San Giovanni in Marignano. In July 2015 at the early music festivals Marche Musicae Amoeni Loci, deals with the Actus Tragicus of Bach and The Seven Words of Jesus Christ of Schutz. In December 2015 at the Teatro San Carlo, he took part as a soloist in the concert for the inauguration of the group the Real Chapel of Naples, directed by M. Ivano Caiazza. In March 2016 he performed the Lecons de tenebre de Couperin at the festival Musicae Sacrae Loci in Pesaro. In May was Oraspe in early modern revival of  Zenobia in Palmira by Paisiello, for 200 of his birth at the Teatrino of the court; In June, the first modern revival of Narciso Amor d’un ombra gelosia d’un aura ovvero Eco e Narciso by Domenico Scarlatti, together with the Ensemble Baroque Rome directed by M. Lorenzo Tozzi, with engraving record for Bongiovanni. E 'was again Liscione in Dirindina Scarlatti at the Villa Floridiana and Riardo together with the Real Chapel of Naples directed by M. Ivano Caiazza. In October, it will take part in Aria otherworldly performance that incorporates Baroque music and contemporary dance together with the No Gravity Dance Company Emiliano Pellisari and Rome Baroque ensemble conducted by M. Lorenzo Tozzi at the Teatro Olimpico in Rome. It will also Orfeo in Orfeo ed Euridice by Gluck in San Giovanni in Marignano. In  November will participate in the opera by Francesca Caccini La liberazione di Ruggero dall’isola di Alcina, promoted in the season from the Oratorio Gonfalone of  Rome together with the Rome Baroque Ensemble directed by M. Lorenzo Tozzi, engraving record for Bongiovanni. In February 2017 replied Aria to Krakow at the Festival Materia Prima, and the Municipal Theatre of Piacenza. I graduated in singing from Conservatoire Rossini in Pesaro; also in Pesaro I graduated in musicology in 2012, and in composition musicology in 2014. I’m attending the course in choral music and conduction. I collaborate with the Santa Lucia Music School, both teaching singing, and the realization of musical projects. Musical projects includes: Stabat Mater by Pergolesi, Vivaldi’s Gloria and a selection of Juditha Triumphans, Te deum by Charpentier, a selection from Marc’Antonio e Cleopatra by Hasse,  I wrote an essay on the composer  Massari. Future engagements include: the premier of  Biancaneve by Augusto Massari, and Petite Messe Solennelle by Gioachino Rossini.
...More

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Repertoire

Composer & WorkRoleProductions
Gluck
Orfeo ed EuridiceAmore1
Orff
Catulli CarminaControtenore1
Paisiello
Zenobia in PalmiraOraspe1

Biography

Angelo Bonazzoli
Angelo Bonazzoli
Countertenor
Full name: Angelo Bonazzoli

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