Past Production Reviews
1we enjoyed the legato phrasing made and the artist who reduced a sound atmosphere -the very tender pianissimo to Nana dynamic admirably. Finally, what better than Abschied [Farewell], where Richter decanted the verses of this sad poem that shows the feeling of saying goodbye to nature, beauty, and what you love. That end with those long magic seconds of contention from the audience, before breaking into applause, were a clear demonstration that Richter achieved that -so difficult, on the other hand- so it is worth being a singing artist and making that space go beyond immense that exists between the interpreter and the listener: communicate the emotion. After multiple outings to greet by the Richter-Bushakevitz couple -and acclaimed by the public with the «bravi, brava!», Which this time almost filled the Teatro de la Zarzuela-, they awarded two tips: the burlesque Wie lange schon [ How long already ], from the Italian songs by Hugo Wolf -in which Richter joked with his pianist as part of the performance- and An den Mond [ To the moon ], one of Schubert's four songs dedicated to the star selenite. It is abundantly clear to us that Anna Lucia Richter is a great artistic asset to follow very closely, in addition to the interest of verifying the establishment of her new mezzo-soprano vocality, which she will surely count on as nature and the years on stage will round off that magnificent raw material that it possesses, in addition to that technique that already looks very established.
