Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2002 — Inné
Die ersten Menschen (The first humans, opera in two acts), Stephan, R.
Teatro Arriaga BilbaoChawa
Féach ar an bhfoireann agus an fhoireannDie Csárdásfürstin (The Gypsy Princess), Kálmán
Opernhaus ZürichSylva Varescu
Féach ar an bhfoireann agus an fhoireannDie Fledermaus (The Bat), Strauss II
Volksoper WienRosalinde
Féach ar an bhfoireann agus an fhoireann-
Kát'a Kabanová (Katya Kabanova), Janáček
Staatsoper StuttgartKáťa Kabanová (Katya)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Die ersten Menschen (The first humans, opera in two acts), Stephan, R.
Teatro Arriaga BilbaoChawa
Féach ar an bhfoireann agus an fhoireann
Die Csárdásfürstin (The Gypsy Princess), Kálmán
Opernhaus ZürichSylva Varescu
Féach ar an bhfoireann agus an fhoireann
Die Fledermaus (The Bat), Strauss II
Volksoper WienRosalinde
Féach ar an bhfoireann agus an fhoireann-
Kát'a Kabanová (Katya Kabanova), Janáček
Staatsoper StuttgartKáťa Kabanová (Katya)
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
21Die Fledermaus (The Bat), Strauss II
Volksoper WienRosalinde
Féach ar an bhfoireann agus an fhoireannMái19:00
Vienna, AustriaBeethoven Symphony No. 9, Beethoven
National Forum of Musicsoprano + 1 ról
Féach ar an gclár, an fhoireann agus an fhoireannDie Dubarry (The Dubarry), Millöcker
Volksoper WienJeanne Beçu
Féach ar an bhfoireann agus an fhoireannLua18:00
Vienna, AustriahAo19:00
Vienna, AustriaCéa19:00
Vienna, AustriaCéa19:00
Vienna, Austria
Beathaisnéis
One of today’s leading sopranos, Annette Dasch regularly appears at the most important international opera houses and festivals. As Jenny in Rise and Fall of the city of Mahagonny at Festival d ‚Aix-en-Provence as well as Elsa in Lohengrin at Bayreuth Festival, replacing Anna Netrebko, German soprano could celebrate major personal successes in summer 2019. Her engagements for the 2020/21 season include Csardasfürstin at the Zurich Opera, her role debut as Alice in Verdi’s Falstaff at the Deutsche Oper Berlin, a gala concert and the Rosalinde in performances of Fledermaus at Semperoper Dresden and the new production of the Merry Widow the Nederlandse Opera Amsterdam. In addition to the Daschsalon in the Alte Oper Frankfurt, concerts lead Annette Dasch to the Laeiszhalle Hamburg, together w
