August Schram
Tenor
Biography
Preparing Florestan, Tannhäuser, Bachus for auditions. The unamplified voice and its creative use in opera, oratorio, film and theatre characterise August Schram’s artistic creations. The tenor trained in Berlin, Rostock and New York under Christiane Bach-Röhr and Neil Semer, lives for classical art forms and has a weakness for new media. Hence his dedication to commitments at the opera houses of Giessen, Mainz, Darmstadt and Freiberg in Saxony, oratorio concerts and his search for the present-day relevance of classical singing and contemporary modes of artistic expression. August Schram loves to occupy himself with projects that deal with the fusion of applied arts, film and song. Along with his work as a producer and co-producer of films and documentaries, August Schram loves to work w
Performance credits
Past performances 2008 — Yesterday
Der Freischütz, op. 77 (The Marksman), Von Weber
Opernloft im Alten Fährterminal AltonaMax
View cast and crewL'italiana in Algeri (The Italian Girl in Algiers), Rossini
Allee Theater – Theater für Kinder und Hamburger KammeroperLindoro
View cast and crew-
Biography
Preparing Florestan, Tannhäuser, Bachus for auditions. The unamplified voice and its creative use in opera, oratorio, film and theatre characterise August Schram’s artistic creations. The tenor trained in Berlin, Rostock and New York under Christiane Bach-Röhr and Neil Semer, lives for classical art forms and has a weakness for new media. Hence his dedication to commitments at the opera houses of Giessen, Mainz, Darmstadt and Freiberg in Saxony, oratorio concerts and his search for the present-day relevance of classical singing and contemporary modes of artistic expression. August Schram loves to occupy himself with projects that deal with the fusion of applied arts, film and song. Along with his work as a producer and co-producer of films and documentaries, August Schram loves to work w
