Cristiana Oliveira, Soprano
Cristiana Oliveira

Cristiana Oliveira

Soprano
Bio: Cristiana Oliveira has established herself as an eminent artist in Portugal, appearing regularly with the principal orchestras throughout the country in Opera productions and Symphonic concerts alike. A regular at Teatro Nacional de São Carlos (season programing), Festival ao Largo (Summer Festival) and Dias da Música at Centro Cultural de Belem, as well as in Radio and Television recordings and broadcasts (RTP2 – Portuguese National Television). She made her Italian Opera Debut as Magda in La Rondine by Puccini, at the invitation of Maestro Gianluigi Gelmetti, at Massimo Bellini Theatre and was invited to return as Maddalena di Coigy in Giordano’s Andrea Chenier. She did her German debut singing Beethoven’s Ah! Perfido in Keiserlauten and the Verdi Requiem at Heidelberg. Cristiana Oliveira comes from a musical family. She’s studied piano and violin from a young age before graduating College in Oporto. She’s attended Opera studios in Barcelona as well as New York’s Opera Studio with Nico Castel. First prize winner at the XIV Estoril International Interpretation Competition - after her interpretation of the Strauss Four Last Songs - and the Special Prize (Concert a Milano) - at the International Vocal Competition Maria Malibran in Milan. She’s appeared in productions of Carmen (Micaëla), La Boheme (Musetta) Prima La Musica Poi Le Parole (Leonora), Prince Igor (Yaroslava), La Traviata (Violetta), La Rondine (Magda), Il Viaggio a Reims (Madame Cortese), Madama Butterfly (Butterfly), La Forza del Destino (Leonora di Vargas) in such venues as Coliseu do Porto, Teatro Nacional de São Carlos Lisboa, Centro Cultural de Belem (CCB), Teatro Massimo Bellini, Sant Pere Sallavinera Music Festival Barcelona and Forum Millenium Northern Ireland, Finnish National Opera. In Oratorio she’s sung the Verdi Messa da Requiem, the Mozart Requiem, Saint-Saëns Christmas Oratorio, the Bomtempo Requiem, the Dvorak Requiem and Stabat Mater, the Rossini Stabat Mater and Mahler’s Symphony No. 2. She’s been directed by Gianluigi Gelmetti; Antonio Pirolli; Nader Abbassi; Anna Belen Gomez; Andrea Sanguineti; Cesario Costa; Jose Miguel Esandi; Graeme Jenkins; José Ferreira Lobo; Patrick Fournillier; Toby Hoffman; Nicolay Lalov; Yi-Chen Lin; Domenico Longo; José Maria Moreno; Miguel Ortega; Cristobal Soler; João Paulo Santos. Giulio Ciabatti; Kate Guelke; Eleonora Paterniti; Mario Redondo; Emilio Sagi; Graham Vick and David Pountney. Last update: 2020-06-18 15:46:42 +00:00
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Bio: Cristiana Oliveira has established herself as an eminent artist in Portugal, appearing regularly with the principal orchestras throughout the country in Opera productions and Symphonic concerts alike. A regular at Teatro Nacional de São Carlos (season programing), Festival ao Largo (Summer Festival) and Dias da Música at Centro Cultural de Belem, as well as in Radio and Television recordings and broadcasts (RTP2 – Portuguese National Television). She made her Italian Opera Debut as Magda in La Rondine by Puccini, at the invitation of Maestro Gianluigi Gelmetti, at Massimo Bellini Theatre and was invited to return as Maddalena di Coigy in Giordano’s Andrea Chenier. She did her German debut singing Beethoven’s Ah! Perfido in Keiserlauten and the Verdi Requiem at Heidelberg. Cristiana Oliveira comes from a musical family. She’s studied piano and violin from a young age before graduating College in Oporto. She’s attended Opera studios in Barcelona as well as New York’s Opera Studio with Nico Castel. First prize winner at the XIV Estoril International Interpretation Competition - after her interpretation of the Strauss Four Last Songs - and the Special Prize (Concert a Milano) - at the International Vocal Competition Maria Malibran in Milan. She’s appeared in productions of Carmen (Micaëla), La Boheme (Musetta) Prima La Musica Poi Le Parole (Leonora), Prince Igor (Yaroslava), La Traviata (Violetta), La Rondine (Magda), Il Viaggio a Reims (Madame Cortese), Madama Butterfly (Butterfly), La Forza del Destino (Leonora di Vargas) in such venues as Coliseu do Porto, Teatro Nacional de São Carlos Lisboa, Centro Cultural de Belem (CCB), Teatro Massimo Bellini, Sant Pere Sallavinera Music Festival Barcelona and Forum Millenium Northern Ireland, Finnish National Opera. In Oratorio she’s sung the Verdi Messa da Requiem, the Mozart Requiem, Saint-Saëns Christmas Oratorio, the Bomtempo Requiem, the Dvorak Requiem and Stabat Mater, the Rossini Stabat Mater and Mahler’s Symphony No. 2. She’s been directed by Gianluigi Gelmetti; Antonio Pirolli; Nader Abbassi; Anna Belen Gomez; Andrea Sanguineti; Cesario Costa; Jose Miguel Esandi; Graeme Jenkins; José Ferreira Lobo; Patrick Fournillier; Toby Hoffman; Nicolay Lalov; Yi-Chen Lin; Domenico Longo; José Maria Moreno; Miguel Ortega; Cristobal Soler; João Paulo Santos. Giulio Ciabatti; Kate Guelke; Eleonora Paterniti; Mario Redondo; Emilio Sagi; Graham Vick and David Pountney. Last update: 2020-06-18 15:46:42 +00:00
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Repertoire

Composer & WorkRoleProductions
Giordano
Andrea ChénierMaddalena di Coigny1
Puccini
La bohèmeMusetta1
La rondineMagda1
Madama ButterflyCio-Cio-San2

Biography

Cristiana Oliveira
Cristiana Oliveira
Soprano
Full name: Cristiana Oliveira

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Reviews

Ihr Deutschland-Debüt gibt Cristiana Oliveira, Foto unten, als Leonora. Ihre Liebe wird zur Gegenmacht, die sich über alles erhebt, die sich dem herzlosen Monster hingibt, um das Leben ihres inhaftierten Geliebten zu retten. Anrührend, mit jubilierenden Höhen, findet sie mit ihrem außergewöhnlichen Timbre wunderschöne Farben der Sehnsucht.
Ingrid Freiberg
Cristiana Oliveiras Leonora erweist sich als eine solche Erscheinung bei ihrem Deutschland-Debüt – und als geradezu beglückend lebendig in der Verbindung von Wärme des Ausdrucks und Höhenglanz.
Volker Milch

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