Рецензии на постановку (11)

 
26 set - 26 set 2022
Cavalleria rusticana, Mascagni,  
Pagliacci, Leoncavallo,  
GöteborgsOperan Opera Australia La Monnaie/De Munt Royal Opera House  | Выступления (7)
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04 dezembro 2015www.independent.co.ukMichael Church
Cavalleria rusticana/Pagliacci, Royal Opera House, review: Superb casting and choruses create triumphant evening
The Italian director Damiano Michieletto put himself in the critical doghouse with his Covent Garden production of Guillaume Tell earlier this year, thanks to a rape scene which gave enormous offence. But his crime was a matter of tone: in an otherwise stylised production, the aggressively in-your-face naturalism of that scene was grotesquely misplaced.
04 dezembro 2015www.theguardian.comAndrew Clements
Cavalleria Rusticana/Pagliacci review – ravishing sounds and detailed naturalism
In Damiano Michieletto’s new production of this famous double bill, the stories are presented straightforwardly and the tragedies perfectly defined. Among the singers, soprano Eva-Maria Westbroek is a standout
26 set - 26 set 2022
Don Pasquale, Donizetti,  
Opéra National de Paris Teatro Massimo di Palermo Royal Opera House  | Выступления (6)
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Stage director
  | Conductor: Giacomo Sagripanti
 | Stage director: Damiano Michieletto
15 outubro 2019www.thestage.co.ukGeorge Hall
Don Pasquale
You sometimes hear people describe Don Pasquale as a ‘cruel’ comedy – though they’re often a bit vague as to what they mean. Pin them down and the complaint seems to be that the 70-year-old gentleman who belatedly gets married in the plot is treated cruelly. But Don Pasquale begins the opera by attempting to impose his will upon his nephew’s choice of wife, and disinheriting him whe...
15 outubro 2019www.thetimes.co.ukRichard Morrison
Don Pasquale review — you won’t see anything funnier in an opera house
If you want escapist bliss — and who doesn’t right now? — the Royal Opera’s new staging of Donizetti’s comic opera is almost perfect. Almost, because it slightly runs out of steam just before the end. By then, however, I had been richly entertained by Damiano Michieletto’s clever modern-day staging, dazzled by mostly brilliant singing and the scintillating playing of the orchestra un...
26 set - 26 set 2022
Le baruffe, Battistelli,  
La Fenice  | Выступления (5)
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Stage director
  | Conductor: Enrico Calesso
 | Stage director: Damiano Michieletto
24 fevereiro 2022www.ilcorrieremusicale.itCesare Galla
Le Baruffe, il Goldoni drammatico di Battistelli
lo spettacolo è inserito nello spazio vuoto (con le attrezzature a vista) del palco della Fenice, ed è basato su di un’intelligente e in qualche momento intrigante “coreografia” tra figuranti, cantanti ed elementi scenici, costituiti solo da cinque strutture lignee mobili. In alto, tre enormi ventole segnano con il moto delle pale l’accendersi dei litigi e il loro sopirsi. Sul fondo,...
26 set - 26 set 2022
Orfeo ed Euridice, Gluck,  
Komische Oper Berlin  | Выступления (9)
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Stage director
  | Conductor: David Bates
 | Stage director: Damiano Michieletto
26 janeiro 2022bachtrack.comZenaida des Aubris
Everything leads back to square one in Michieletto's Orfeo ed Euridice at Komische Oper
This story fascinated Christoph Willibald Gluck and his librettist Ranieri de' Calzabigi. On the threshold between the Baroque and Classical periods, the opera, originally based on Ovid's Metamorphoses, was premiered to great acclaim at the Burgtheater in Vienna, 1762. It is this version, in Italian, that is employed here. Paolo Fantin's abstract, minimalist stage design is often tr...
26 set - 26 set 2022
Madama Butterfly, Puccini,  
Teatro Comunale di Bologna  | Выступления (4)
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Stage director
  | Conductor: Pinchas Steinberg
 | Stage director: Damiano Michieletto
24 fevereiro 2020www.operaclick.comOpera Click
Bologna - Teatro Comunale: Madama Butterfly
“Dei due Sharpless ho preferito Gustavo Castillo (23 febbraio) disinvolto scenicamente, dalla voce ben timbrata e dal fraseggio elegante e intenso“
25 fevereiro 2020chorusmartini.it/2020/02/25/madama-butterfly-impressioni-primaverili-sul-secondo-cast/Chorus Martini
Madama Butterfly: impressioni primaverili sul secondo cast
“La prestazione di Gustavo Castillo (Sharpless) guadagna l’ovazione dalla platea grazie ad una rotondità della pasta vocale e alla grazia con cui il baritono porge ogni frase, coadiuvato da un’ottima pronuncia a dispetto delle origini straniere.“
26 set - 26 set 2022
Don Pasquale, Donizetti,  
Royal Opera House  | Выступления (7)
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Stage director
  | Conductor: Evelino Pidò
 | Stage director: Damiano Michieletto
30 outubro 2019www.newstatesman.comSimon Callow
Don Pasquale at the Royal Opera House: a muted take on an old comedy
How cruel these old comedies are! Don Pasquale, close to the end of Donizetti’s astonishing and tragically truncated career – this was his 64th opera; only two more were to come – is sometimes spoken of as being rather more nuanced than other examples of the genre. But at core it is the quintessential commedia dell’arte story of young love triumphing over authority in the shape of an...
26 set - 26 set 2022
Alcina, Händel,  
Salzburger Festspiele  | Выступления (5)
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Stage director
  | Conductor: Gianluca Capuano
 | Stage director: Damiano Michieletto
14 agosto 2019playstosee.comAlessandro Zummo
Alcina
Not for one moment does the opera tire or bore the audience thanks to the dancers’ choreographies and video art projection onto the screen that render the idea of a magical world. However, it was the quality of the singers and orchestra that ensured the success of the performance. First of all, Cecilia Bartoli, in the title roles, gave an intense unforgettable interpretation, her Alc...