Arvo Pärt, "Es Sang vor langen Jahren"
Léirithe san am a chuaigh thart 2014 — Inné
Messiah (Messiah HWV 56), Händel
Oratorio Society of New YorkCountertenor
Féach ar an bhfoireann agus an fhoireannHandel’s Acis and Galatea, Händel
Caramoor Center for Music and the ArtsCoridon
Féach ar an bhfoireann agus an fhoireannARKHIPOV, an opera, Peter Knell
Jacaranda Chamber EnsembleSpecial Weapons Officer
Féach ar an bhfoireann agus an fhoireannMessiah (Messiah HWV 56), Händel
Oratorio Society of New YorkCountertenor
Féach ar an bhfoireann agus an fhoireannHandel’s Acis and Galatea, Händel
Caramoor Center for Music and the ArtsCoridon
Féach ar an bhfoireann agus an fhoireannARKHIPOV, an opera, Peter Knell
Jacaranda Chamber EnsembleSpecial Weapons Officer
Féach ar an bhfoireann agus an fhoireannCountertenor Daniel Moody has garnered widespread acclaim for his “sweet and melancholy sound” (The Washington Post) and his ability to “pierce hearts” and “utterly silence a room” (The Boston Musical Intelligencer). Cited for a “vocal resonance, [that] makes a profoundly startling impression” (The New York Times) and for his “vivid and powerful” voice (The Boston Musical Intelligencer), Mr. Moody is equally celebrated for his interpretations of contemporary and baroque works. Moody’s opera appearances have included the title roles in Handel’s Giulio Cesare and Rinaldo, Arsamene in Xerxes, Lichas in Hercules, Didymus in Theodora, Oberon in Britten’s A Midsummer Night’s Dream, L’Enfant in Ravel’s L'enfant et les sortileges, and as the “eerie yet forceful” (Broadway World) leading role of Ma