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Biograafia  Daniele Rustioni is one of the most compelling conductors of both opera and symphonic works of his generation. Principal Conductor of Opéra National de Lyon since September 2017 he is at the helm of the Ulster Orchestra in the UK as Chief Conductor starting from this season 2019/20. He is also the Principal Conductor of the Orch...read more

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Biograafia  Daniele Rustioni is one of the most compelling conductors of both opera and symphonic works of his generation. Principal Conductor of Opéra National de Lyon since September 2017 he is at the helm of the Ulster Orchestra in the UK as Chief Conductor starting from this season 2019/20. He is also the Principal Conductor of the Orch...read more

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Artists Management Company Ltd
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maskKultuuriorganisatsioonilt / Operabase'i poolt kontrollitud

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  • Repertuaar (30)
Helilooja ja töörollLavastused
Bach,JS
MagnificatConductor1
Beethoven
9. Sinfonie in d-Moll op. 125Conductor3
Bellini
Adelson e SalviniConductor1
NormaConductor5

Videod

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Daniele Rustioni conducted well, with precise attention to the tinctures of the articulated score. The Sinfonia was executed with an engaging variation of levity and lively rhythm (with an especially graceful sound in the woodwinds), while the Poet was already on stage, pining for inspiration with his old-fashioned typewriter. The Orchestra and the Chorus of Teatro Regio did well, maintaining a balanced equilibrium with singers on the stage. Carlo Lepore demonstrated a beautiful voice as Selim, solid and secure especially during “Bella Italia, alfin ti miro”. His very capable rendition of “l’aria, il suolo, i fiori e l’onde, tutto ride e parla al cor” included a particular and different touch and tone assigned to each word. Edgardo Rocha, who replaced Antonino Siragusa, didn't have a particularly expressive voice. However, he sang “Perché mai son tradito” well. Simone Del Savio was a good Prosdocimo, especially in the efficacious trio “Un marito scimunito”. The cast was completed by the pleasing performances of Samantha Korbey and Enrico Iviglia, who interpreted Zaida and Albazar respectively.
Edoardo Pelligra
Carlos Alvarez makes the ideal Iago, and he toys with his victims like a cat with mice
Michael Church

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