Forestilling krediteringer
Tidligere forestillinger 2015 – i går
La Traviata di Giuseppe Verdi, Verdi
Cineteatro GavazzeniAnnina + 1 roller
Se rollebesætning og besætningConcert of Opera, MozartChopinPaolo TostiSartori, F.VerdiPoulencFranckDonizettiLehárDi Capua, E.PucciniThomasRodgersRombergBizetSaint-SaënsLara, Agustín
Atterbury TeaterSoprano + 6 roller
Se program, rollebesætning og crewProgressive Musicians and Sound Espressivo, MozartRentowskiBach, J. S.HändelVivaldiChopinJames AdlerStegmann, R.Tchaikovsky, P. I.Albéniz, I.RodrigoHenry Charles LitolffYang, G. Q.Borne, F.
Carnegie HallSusanna
Se program, rollebesætning og crewMario Lanza Birthday Remembrance Party, Giuliani, Mauro
Mario Lanza Institute & Museumsoprano
Se rollebesætning og besætningA Concert of Classica Music, Various
City of Dallas Office Art & CultureSoprano
Se rollebesætning og besætningFremhævede tidligere præstationer
La Traviata di Giuseppe Verdi, Verdi
Cineteatro GavazzeniAnnina + 1 roller
Se rollebesætning og besætning
Concert of Opera, MozartChopinPaolo TostiSartori, F.VerdiPoulencFranckDonizettiLehárDi Capua, E.PucciniThomasRodgersRombergBizetSaint-SaënsLara, Agustín
Atterbury TeaterSoprano + 6 roller
Se program, rollebesætning og crew
Progressive Musicians and Sound Espressivo, MozartRentowskiBach, J. S.HändelVivaldiChopinJames AdlerStegmann, R.Tchaikovsky, P. I.Albéniz, I.RodrigoHenry Charles LitolffYang, G. Q.Borne, F.
Carnegie HallSusanna
Se program, rollebesætning og crew
Mario Lanza Birthday Remembrance Party, Giuliani, Mauro
Mario Lanza Institute & Museumsoprano
Se rollebesætning og besætning
Introshowreel
1
Three Poems of Henry Wadsworth Longfellow by Timothy L Miller, Dominika Zamara soprano, live in NYC
Biografi
Soprano Dominika Zamara gained musical recognition early in her native Poland. In 2007, she graduated (with honors) from the prestigious Wrocław University of Music, and directly went to Italy, in pursuit of higher artistic study. Having won a scholarship from the Verona State Conservatory, she performed in masterclasses with some of Italy’s most highly regarded operatic teachers. These include Alida Ferrarini, Bruno Pola, and Enrico De Mori — the latter being highly important for her future professional growth. Her operatic debut took place in 2010 as Mimi, in Puccini’s “La Boheme” under the direction of Maestro De Mori. Her outstanding vocal qualities, dynamic stage presence, and versatility in multiple genres (opera, lieder and Art song, chamber, and Contemporary music), quickly led to
