Forestillingkreditter
Kommende forestillinger I dag og utover
Tidligere forestillinger 2011 – I går
Guillaume Tell (William Tell), Rossini
NOF - Nouvel Opéra Fribourg - Neue Oper FreiburgHedwige (Hedwig)
Se rollebesetning og crew-
Der Rosenkavalier (The Knight of the Rose), Strauss
De Nationale OperaAnnina
Se rollebesetning og crewVU-Orchestra plays Mahler's Symphony No. 2, Mahler
Het ConcertgebouwMezzo-soprano (Mezzo-Soprano)
Se rollebesetning og crewKönigskinder (The King's Children), Humperdinck
De Nationale OperaDie Stallmagd
Se rollebesetning og crewDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Eine Stimme von oben (A voice from above)
Se rollebesetning og crewUtvalgte tidligere forestillinger
Guillaume Tell (William Tell), Rossini
NOF - Nouvel Opéra Fribourg - Neue Oper FreiburgHedwige (Hedwig)
Se rollebesetning og crew-
Der Rosenkavalier (The Knight of the Rose), Strauss
De Nationale OperaAnnina
Se rollebesetning og crew
Königskinder (The King's Children), Humperdinck
De Nationale OperaDie Stallmagd
Se rollebesetning og crew
Elektra (Electra), Strauss
Palau de les Arts Reina SofiaErste Magd (First maid)
Se rollebesetning og crewKommende forestillinger
24Il Trittico, Puccini
Dutch National Opera & BalletLa Maestra delle Novizie (The Mistress of the novices)
Se program, rollebesetning og crewRigoletto, Verdi
Dutch National Opera & BalletGiovanna
Se rollebesetning og crewDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Dutch National Opera & BalletEine Stimme von oben (A voice from above)
Se rollebesetning og crew
Biografi
Praised for her special ‘ability to express the moods hidden in the music – from sadness to exuberance’, mezzosoprano/contralto Eva Kroon in recent years has come to the forefront of the Dutch music scene as a singer of choice for roles for the lower female voice, steering, for instance, the third act of Offenbach’s Les contes d’Hoffmann ‘to a seldom heard highlight’ (Theaterkrant). Eva Kroon studied both piano and voice at the conservatories of Utrecht and The Hague, and gained her master in Opera Singing at Dutch National Opera Academy. Early roles include Second Lady (The Magic Flute), Gluck’s Orfeo and Purcell’s Dido. She followed workshops in Berlin and at Dutch National Opera (French repertoire, with Jean-Philippe Lafont and Leontina Vaduva). From 2012-2017 she was coached by Abbie F
