Aufführungskredite
Vergangene Auftritte 2009 – Gestern
Federico Guglielmo E Accademia D’archi Arrigoni, Graun, J. G.Friedemann BachBach, C. P. E.Mendelssohn
Emilia Romagna FestivalDirigat + 1 Rollen
Programm, Besetzung und Crew ansehenConcerto for Violin and Cello in F major, RV 544, Vivaldi
Concerto for Violin and Cello in B-flat major, RV 547, Vivaldi
Teatro Civico La SpeziaViolin
Programm, Besetzung und Crew ansehenI Solisti Filarmonici Italiani, Geminiani, F.VivaldiPaganini, Niccolò
Teatro Comunale di CarpiDirigat + 1 Rollen
Programm, Besetzung und Crew ansehenI Solisti Filarmonici Italiani, TartiniPärtBersanettiCoriglianoCorelli, A.Boccherini, L.GluckKreisler, F.Paganini, Niccolò
Settimana di Musica Sacra di MonrealeDirigat
Programm, Besetzung und Crew ansehenAusgewählte vergangene Auftritte
Federico Guglielmo E Accademia D’archi Arrigoni, Graun, J. G.Friedemann BachBach, C. P. E.Mendelssohn
Emilia Romagna FestivalDirigat + 1 Rollen
Programm, Besetzung und Crew ansehen
I Solisti Filarmonici Italiani, Geminiani, F.VivaldiPaganini, Niccolò
Teatro Comunale di CarpiDirigat + 1 Rollen
Programm, Besetzung und Crew ansehen
I Solisti Filarmonici Italiani, TartiniPärtBersanettiCoriglianoCorelli, A.Boccherini, L.GluckKreisler, F.Paganini, Niccolò
Settimana di Musica Sacra di MonrealeDirigat
Programm, Besetzung und Crew ansehen
Concerto diretto al violino da Federico Guglielmo, Various
Teatro La FeniceDirigat
Besetzung und Crew ansehenBiografie
The Paduan violinist Federico Guglielmo is acclaimed by international critics for his “extraordinary versatility” and “mature interpretive confidence”, views which are further confirmed by the appreciation garnered for his live performances and the prizes he has won for his numerous recordings. Winner of the Antonio Vivaldi International Recording Prize, the Boston Globe describes him as “the new star of the ancient music landscape” while the French music magazine Diapason, which awarded him the Diapason d’Or for his recording of Vivaldi concertos, praised his “sparkling virtuosity which provides a cross section of everything of which the violin is capable”. His “brilliant and entertaining” interpretation of Haydn’s Violin Concertos led the American critic R. Maxham to write in Fanfare tha
