Ferdinando Sulla, Conductor
Ferdinando Sulla

Ferdinando Sulla

Conductor
Bio: Ferdinando Sulla studied organ and composition at the Conservatory “S. Giacomantonio” in Co-senza and deepens his composition and orchestration studies in Milan with composer Giampaolo Tes-toni. He graduated with full marks and honors in choral music and choral conducting, at the Conserva-tory “S. Giacomantonio” in Cosenza and in orchestral conducting at the "Civica Scuola di Musica Claudio Abbado" in Milan. Afterwards he deepens his conducting studies with Gilberto Serembe at the Italian Conducting Academy. As chorus master he collaborated for important operatic productions with Diego Fasolis and Fabio Luisi, of whom he also has been assistant conductor for several productions. In the field of opera’s repertoire he has conducted: Don Pasquale by G. Donizetti at the Teatro Re-gio di Parma (2021) and at the Teatro Verdi di Padova (2021); La Cenerentola by G. Rossini at the OperaEstate Festival (2018); Le donne vendicate by N. Piccinni at the Festival della Valle d’Itria (2017); Barbiere di Siviglia di G. Paisiello at the Teatro Spazio89 di Milano (2017). He also had his international debut in the symphonic repertoire: at the Rossini Opera Festival in Pesaro (Italy) with critical edition of Miserere and Messa di Milano by G. Rossini, committed to him by Fondazione G. Rossini and Casa Editrice Ricordi; at the XIX Festival Verdi of Parma (2019); at the Teatro del Maggio Musicale Fiorentino (2019); at the Fondazione Orchestra Sinfonica e Coro “G. Verdi” of Milan (2019); at the Festival “Resurrexit” of Siauliai (Lituania) on a special invita-tion by “Lithuanian National Philharmonic Society” of Vilnius (2018); in the symphonic season of the Filarmonica “Transilvanjia” of Cluj (2017). In the past concert and operatic seasons he conducted important orchestras and choirs as: Orche-stra Filarmonia Veneta (2021), Orchestra “I Filarmonici Friulani” (2021), Filarmonica “Arturo Toscanini” of Parma (2021; 2019), Filarmonica Gioacchino Rossini (2020), Orchestra Sinfonica “G. Verdi” of Milan (2019), choir and orchestra of Teatro del Maggio Musicale Fiorentino (2019), Orchestra di Padova e del Veneto (2018), Orchestra ICO “Magna Græcia” (2018), Klaipeda Chamber Orchestra (2018), choir and orchestra of Filarmonica di Stato “Transilvan-jia” of Cluj (2017), Orchestra “I Pomeriggi musicali” of Milan (2016), l’Orchestra “I Musici di Parma” (2012), “Roma 3 Orchestra” (2010). He conducted world premiere of italian composers as: Giampaolo Testoni (Tre Pezzi Sacri, for fe-male choir and orchestra); Paolo Furlani (Pinocchio in variazioni, for actor and orchestra). During his professional path he merged historic and research interests to the artistic education. In fact he also obtained the master degree in musicology with full marks and honors in Milan. Consequen-tially he worked on the critical edition of Alessandro nell'Indie by L.Vinci and collaborated with Da-vide Daolmi for the critical editions of V. Bellini Adelson e Salvini and G. Rossini Petite Messe Solen-nelle (orchestral version). In 2020 he set critical edition of Miserere and Messa di Milano by G. Rossini committed by Fondazione G. Rossini with collaboration of Casa Editrice Ricordi. He was teacher during several masterclasses of vocal interpretation for singers and choral conduct-ing at Accademia del Belcanto “Rodolfo Celletti” - Fondazione Paolo Grassi in Martina Franca, and at “Leonardo Vinci Festival” in Crotone. He is professor at Civica Scuola di Musica “Claudio Abbado” in Milan, and at Accademia Teatro alla Scala in Milan In May 2019 he was awarded by Rotary Club as "Young Execelece" for artistic merits. September, 2021
...More
Bio: Ferdinando Sulla studied organ and composition at the Conservatory “S. Giacomantonio” in Co-senza and deepens his composition and orchestration studies in Milan with composer Giampaolo Tes-toni. He graduated with full marks and honors in choral music and choral conducting, at the Conserva-tory “S. Giacomantonio” in Cosenza and in orchestral conducting at the "Civica Scuola di Musica Claudio Abbado" in Milan. Afterwards he deepens his conducting studies with Gilberto Serembe at the Italian Conducting Academy. As chorus master he collaborated for important operatic productions with Diego Fasolis and Fabio Luisi, of whom he also has been assistant conductor for several productions. In the field of opera’s repertoire he has conducted: Don Pasquale by G. Donizetti at the Teatro Re-gio di Parma (2021) and at the Teatro Verdi di Padova (2021); La Cenerentola by G. Rossini at the OperaEstate Festival (2018); Le donne vendicate by N. Piccinni at the Festival della Valle d’Itria (2017); Barbiere di Siviglia di G. Paisiello at the Teatro Spazio89 di Milano (2017). He also had his international debut in the symphonic repertoire: at the Rossini Opera Festival in Pesaro (Italy) with critical edition of Miserere and Messa di Milano by G. Rossini, committed to him by Fondazione G. Rossini and Casa Editrice Ricordi; at the XIX Festival Verdi of Parma (2019); at the Teatro del Maggio Musicale Fiorentino (2019); at the Fondazione Orchestra Sinfonica e Coro “G. Verdi” of Milan (2019); at the Festival “Resurrexit” of Siauliai (Lituania) on a special invita-tion by “Lithuanian National Philharmonic Society” of Vilnius (2018); in the symphonic season of the Filarmonica “Transilvanjia” of Cluj (2017). In the past concert and operatic seasons he conducted important orchestras and choirs as: Orche-stra Filarmonia Veneta (2021), Orchestra “I Filarmonici Friulani” (2021), Filarmonica “Arturo Toscanini” of Parma (2021; 2019), Filarmonica Gioacchino Rossini (2020), Orchestra Sinfonica “G. Verdi” of Milan (2019), choir and orchestra of Teatro del Maggio Musicale Fiorentino (2019), Orchestra di Padova e del Veneto (2018), Orchestra ICO “Magna Græcia” (2018), Klaipeda Chamber Orchestra (2018), choir and orchestra of Filarmonica di Stato “Transilvan-jia” of Cluj (2017), Orchestra “I Pomeriggi musicali” of Milan (2016), l’Orchestra “I Musici di Parma” (2012), “Roma 3 Orchestra” (2010). He conducted world premiere of italian composers as: Giampaolo Testoni (Tre Pezzi Sacri, for fe-male choir and orchestra); Paolo Furlani (Pinocchio in variazioni, for actor and orchestra). During his professional path he merged historic and research interests to the artistic education. In fact he also obtained the master degree in musicology with full marks and honors in Milan. Consequen-tially he worked on the critical edition of Alessandro nell'Indie by L.Vinci and collaborated with Da-vide Daolmi for the critical editions of V. Bellini Adelson e Salvini and G. Rossini Petite Messe Solen-nelle (orchestral version). In 2020 he set critical edition of Miserere and Messa di Milano by G. Rossini committed by Fondazione G. Rossini with collaboration of Casa Editrice Ricordi. He was teacher during several masterclasses of vocal interpretation for singers and choral conduct-ing at Accademia del Belcanto “Rodolfo Celletti” - Fondazione Paolo Grassi in Martina Franca, and at “Leonardo Vinci Festival” in Crotone. He is professor at Civica Scuola di Musica “Claudio Abbado” in Milan, and at Accademia Teatro alla Scala in Milan In May 2019 he was awarded by Rotary Club as "Young Execelece" for artistic merits. September, 2021
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Repertoire

Composer & WorkRoleProductions
Donizetti
Don PasqualeConductor2
Paisiello
Il barbiere di SivigliaConductor1
Pergolesi
Stabat MaterConductor2
Piccinni
Le donne vendicateConductor1

Biography

Ferdinando Sulla
Ferdinando Sulla
Conductor
Full name: Ferdinando Sulla

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Reviews

Sul podio dell’Orchestra dell’Emilia Romagna [...] troviamo il giovanissimo Maestro Ferdinando Sulla, un talentuoso direttore che riesce a cogliere perfettamente il brio e la vivacità del capolavoro donizettiano. Una lettura, la sua, che sa risaltare ogni dettaglio musicale mantenendo, per quanto possibile in un’esecuzione all’aperto, un buon equilibrio tra buca e palcoscenico.
Marco Faverzani | Giorgio Panigati
Il tutto è scorso con estrema brillantezza e giocondità anche per la spedita e curata lettura del 𝗠𝗮𝗲𝘀𝘁𝗿𝗼 𝗙𝗲𝗿𝗱𝗶𝗻𝗮𝗻𝗱𝗼 𝗦𝘂𝗹𝗹𝗮, ormai una conferma nel panorama direttoriale, che mi vanto di seguire da quando era… in fasce! Una lettura integrale, comprensiva di tutti i recitativi spesso amputati, coaudiuvata dall’ottima risposta della sempre valida Orchestra dell’Emilia Romagna “Arturo Toscanini” e dal puntuale e molto partecipe coro del Teatro regio di Parma.
Andrea Merli

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