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Ariosi Management Sagl

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Ariosi Management Sagl
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maskKultuuriorganisatsioonilt / Operabase'i poolt kontrollitud

mask Artistilt / agendilt


mask Artistilt / agendilt

  • Repertuaar (13)
Helilooja ja töörollLavastused
9. Sinfonie in d-Moll op. 125Conductor1
Les Pêcheurs de perlesConductor2




Anche la quinta e ultima recita di Turandot si avvia verso il tutto esaurito. La fiaba musicale per eccellenza, con la ricca tavolozza orchestrale di Puccini, rivive all’Arena di Verona con immagini da sogno e un cast di prestigio: a cominciare dalla protagonista Elena Pankratova, soprano russo che debutta in Anfiteatro come principessa di gelo dopo i consensi raccolti in tutto il mondo nel repertorio drammatico, da Wagner a Bayreuth allo Strauss di Vienna, Berlino, Londra.
VeronaSera / Redazione
It was two tenors for the price of one at Covent Garden when the opening performance of its sumptuous production of Puccini’s opera Tosca finally took place. Finally, because the first scheduled performance was cancelled, the Royal Opera House explaining that this very rare occurrence was caused by shortage of technical crew. That shortage was always on the cards. The government’s failure to support those in the creative arts during lockdown forced many with transferrable skills into new roles. Whose home didn’t want an electrician or a carpenter to do a job long overdue? Still, an opening performance there was, with a promising cast: Russian soprano Elena Stikhana making her house debut in the title role, reliable American tenor Bryan Hymel as Tosca’s artist lover Cavaradossi, and Russian baritone as the lustful chief of police Scarpia. Jonathan Kent’s production has been a hit since its premiere in 2006. With the landmark buildings of Rome apparently at actual size in Paul Brown's design – baroque Sant' Andrea della Valle, the Palazzo Farnese, Castel Sant' Angelo – its characters need their forceful characters to cut through. As Cavaradossi shepherds an escaped political prisoner to safety, his chances of disappearing in this vast city seem good. But there are spies everywhere. Tortured for collaborating, Cavaradossi begs Tosca not to give away his friend, with terrible consequences for both. And so to the two tenors. In the first act, it was clear that Hymel was not totally well, and as the curtain rose on act two, the big surprise. British-born tenor Freddie De Tommaso, due to sing other performances in this run, stepped into the role with tremendous aplomb, his Cavaradossi impressively wrung out as though by persecution and not, as it may have been, the rigours of hightailing it to Covent Garden.
Culture Whisper


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