Prestazzjonijiet Passat 1998 — Ilbieraħ
Pelléas et Mélisande (Pelléas and Mélisande), Debussy
Teatro ColónPelléas (Pelleas)
Ara l-cast u l-ekwipaġġLa rondine (The Swallow), Puccini
Teatro Massimo BelliniRuggero Lastouc (Ruggero)
Ara l-cast u l-ekwipaġġLa Traviata (La traviata), Verdi
Hungarian State OperaAlfredo Germont (Alfred Germont)
Ara l-cast u l-ekwipaġġPelléas et Mélisande (Pelléas and Mélisande), Debussy
Vilnius City OperaPelléas (Pelleas)
Ara l-cast u l-ekwipaġġLa rondine (The Swallow), Puccini
Teatro Massimo BelliniRuggero Lastouc (Ruggero)
Ara l-cast u l-ekwipaġġRigoletto, Verdi
Lyric Opera of ChicagoIl Duca di Mantova (The Duke of Mantua)
Ara l-cast u l-ekwipaġġLa rondine (The Swallow), Puccini
The Metropolitan OperaRuggero Lastouc (Ruggero)
Ara l-cast u l-ekwipaġġLa clemenza di Tito (The Clemency of Titus), Mozart
The Metropolitan OperaTito Vespasiano (Titus)
Ara l-cast u l-ekwipaġġGiuseppe Filianoti is one of the preeminent lyric tenors of his generation. The beauty of his voice, the passionate lyricism of his artistry, and the dramatic fervor of his approach to the stage have won him widespread critical and popular praise. Since his professional debut in 1998, Mr. Filianoti has emerged as a beacon of style and nuance in a wide-ranging repertoire. While the majority of his performances have centered on the bel canto and later 19th-century lyric Italian and French works, he has also successfully essayed roles by Cherubini and Mozart through those of such 20th century masters as Strauss, Debussy, and Stravinsky. Among the tenor’s engagements in the 2012-13 season are: a guest appearance by the Teatro alla Scala at Moscow’s Bolshoi Theater in Don Giovanni (Septemb