Recensioni di produzioni precedenti
5Ben riuscita la Zozo di Federica Sardella, della quale si ammira, oltre alla spigliata presenza scenica, la indubbia facilità nella salita verso la regione alta del pentagramma.
Elegante e graziosa - anche se più marcatamente oca dell'interprete del giorno precedente - la Valencienne di Luisa Kurtz che sa gestire bene il fiato e con eleganza vocale interpreta in modo piacevole il simpatico personaggio.
Hilsdorf sharpens the victim's perspective. He tells the gloomy ballad of the curse, which is called family, with well-known constants of his work: Of course, table and bed are once again the pillars of the rise and fall of the characters. There is also carousing here: A nasty company, in which there is no room for being different, celebrates the festivals as the heroes fall right next to them.[...] The 'Lucia di Lammermoor' is one of the great successes of bel canto.And luck in itself is the excellent form of the food Philharmoniker act as advocates of the sometimes underestimated epoch. It is no less than exemplary how they illuminate the score down to the smallest angle under the baton of the Apulian Giuseppe Finzi. [...] The opera season has one more top-class act on the repertoire. Bravo!
'La Bohème' also plays at Christmas time. Johannes Leiacker's blue-framed stage design is wintry. It's snowing and snowing. The freezing artists live on a cinemascope-sized pedestal close to heaven. A counter in the Latin Quarter, a giant saluting upside down -Nicholas, shine of lights, a chapel with Mickey Mouse masks, the night city in the distance: it's nice to look at.
Matteo Mollica estuvo muy bien como Il Conte di Monterone, resaltando la gravedad del personaje.
