Gustavo Quaresma, Tenor
Gustavo Quaresma

Gustavo Quaresma

Tenor
Bio: The german-brazilian tenor received his first musical training as a soprano soloist of the boys Choir "Canarinhos de Petrópolis" in Rio de Janeiro. He finished with distinction his opera studies in the class of Hedwig Fassbender at the University of Music and Performing Arts Frankfurt/Main. Between 2010 and 2012 he was a member of the International Opera Studio at the Cologne Opera. Numerous master classes, among others with Raúl Giménez, Kurt Moll, Anna Tomova-Sintow and Alexander Fedin completed his formation. Since his arrival in Europe he sings regularly concerts and opera productions, e.g. at the Concertgebouw Amsterdam, Konzerthaus Berlin, Konzerthaus Wien, Concertgebouw Brugge, Royal Festival Hall London, Palace of Arts Budapest, Emirates Palace Abu Dhabi, Staatstheater Wiesbaden, Deutsche Oper am Rhein, Kurhaus Wiesbaden, Oper Köln, Teatro Municipal do Rio de Janeiro and São Paulo, Gran Teatro de La Habana Alicia Alonso, Opéra Monte Carlo, Grand Théâtre de Tours, "Cantiere Internazionale d'Arte" in Montepulociano, "Belcanto Opera Festival" in Bad Wildbad, Oper Klosterneuburg, Stadttheater Baden, Landestheater Salzburg, Tiroler Landestheater Innsbruck and at the Jennersdorf Opera. He has performed such roles as Il Duca di Mantova (Rigoletto), Nadir (Les pêcheurs de perles), Franz (Les fées du Rhin), Rinuccio (Gianni Schicchi), Fenton (Falstaff), Don Ramiro (Cenerentola), Conte Almaviva (Il barbiere di Siviglia), Conte Alberto (L' occasione fa il Ladro of Rossini), Alberto (La Gazzetta), Tamino (Die Zauberflöte), Don Ottavio (Don Giovanni), Ferrando (Così fan tutte), Tito (La Clemenza do Tito), Nemorino (L'elisir d'Amore), Alfred (Die Fledermaus), Rossillon (Die lustige Witwe) as well as Bach's oratorios and passions, Haydn's Schöpfung, Rossini's Stabat Mater and Petite Messe Solennelle, Mendelssohn's Lobgesang and Walpurgisnacht, Handel's Messiah, Monteverdi's Vespers, Mozart's and Verdi's Requiem, Beethoven’s Missa Solemnis, Puccini's Messa di Gloria and many more. He has worked with renowned conductors such as Iván Fischer, Asher Fisch, Markus Stenz, Roland Böer, Chistoph Campestrini, Hamar Szolt, Alexander Joel, Carlo Goldstein, Marco Zambelli, Samuel Jean, Roberto Minczuk, Benjamin Pionnier, Franco Trinca, Nicolas André and Adrian Kelly. His future engagements: Ramiro (La Cenerentola) at the Opernfestspiele Heidenheim; Lindoro (L'italiana in Algeri) at the Theater Biel-Solothurn and Arcadio (Florencia en el Amazonas) at the Theater St. Gallen. He is currently singing the role from Guglielmo (Viva la Mamma) at the Salzburg Landestheater and Paris (La belle Hélène) at the Theater St. Gallen. Last update: 2020-02-18 09:02:20 +00:00
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Bio: The german-brazilian tenor received his first musical training as a soprano soloist of the boys Choir "Canarinhos de Petrópolis" in Rio de Janeiro. He finished with distinction his opera studies in the class of Hedwig Fassbender at the University of Music and Performing Arts Frankfurt/Main. Between 2010 and 2012 he was a member of the International Opera Studio at the Cologne Opera. Numerous master classes, among others with Raúl Giménez, Kurt Moll, Anna Tomova-Sintow and Alexander Fedin completed his formation. Since his arrival in Europe he sings regularly concerts and opera productions, e.g. at the Concertgebouw Amsterdam, Konzerthaus Berlin, Konzerthaus Wien, Concertgebouw Brugge, Royal Festival Hall London, Palace of Arts Budapest, Emirates Palace Abu Dhabi, Staatstheater Wiesbaden, Deutsche Oper am Rhein, Kurhaus Wiesbaden, Oper Köln, Teatro Municipal do Rio de Janeiro and São Paulo, Gran Teatro de La Habana Alicia Alonso, Opéra Monte Carlo, Grand Théâtre de Tours, "Cantiere Internazionale d'Arte" in Montepulociano, "Belcanto Opera Festival" in Bad Wildbad, Oper Klosterneuburg, Stadttheater Baden, Landestheater Salzburg, Tiroler Landestheater Innsbruck and at the Jennersdorf Opera. He has performed such roles as Il Duca di Mantova (Rigoletto), Nadir (Les pêcheurs de perles), Franz (Les fées du Rhin), Rinuccio (Gianni Schicchi), Fenton (Falstaff), Don Ramiro (Cenerentola), Conte Almaviva (Il barbiere di Siviglia), Conte Alberto (L' occasione fa il Ladro of Rossini), Alberto (La Gazzetta), Tamino (Die Zauberflöte), Don Ottavio (Don Giovanni), Ferrando (Così fan tutte), Tito (La Clemenza do Tito), Nemorino (L'elisir d'Amore), Alfred (Die Fledermaus), Rossillon (Die lustige Witwe) as well as Bach's oratorios and passions, Haydn's Schöpfung, Rossini's Stabat Mater and Petite Messe Solennelle, Mendelssohn's Lobgesang and Walpurgisnacht, Handel's Messiah, Monteverdi's Vespers, Mozart's and Verdi's Requiem, Beethoven’s Missa Solemnis, Puccini's Messa di Gloria and many more. He has worked with renowned conductors such as Iván Fischer, Asher Fisch, Markus Stenz, Roland Böer, Chistoph Campestrini, Hamar Szolt, Alexander Joel, Carlo Goldstein, Marco Zambelli, Samuel Jean, Roberto Minczuk, Benjamin Pionnier, Franco Trinca, Nicolas André and Adrian Kelly. His future engagements: Ramiro (La Cenerentola) at the Opernfestspiele Heidenheim; Lindoro (L'italiana in Algeri) at the Theater Biel-Solothurn and Arcadio (Florencia en el Amazonas) at the Theater St. Gallen. He is currently singing the role from Guglielmo (Viva la Mamma) at the Salzburg Landestheater and Paris (La belle Hélène) at the Theater St. Gallen. Last update: 2020-02-18 09:02:20 +00:00
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 Matinée
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Repertuaar

Helilooja ja töörollLavastused
Bellini
I Capuleti e i MontecchiTebaldo2
Bizet
Les Pêcheurs de perlesNadir1
Catán
Florencia en el AmazonasArcadio2
Donizetti
L'elisir d'amoreNemorino1

Biograafia

Gustavo Quaresma
Gustavo Quaresma
Tenor
Täisnimi: Gustavo Quaresma

Videod

Kujutised

retsensioon

“Gustavo Quaresma hat als Paris einen traumhaften Nachmittag erwischt. Mit seinem technisch bestens ausgebildeten, farbenreichen Tenor braucht er mit strahlenden, kräftigen Höhen nie zu geizen.“
Jan Krobot
“Der deutschbrasilianische Tenor Gustavo Quaresma ist mit seinem Tenore di grazia als Paris nahezu eine Idealbesetzung. Er wird als Surfer gezeigt und absolviert seinen ersten Auftritt auf dem Brett aus der Welle hinaus.”
Jan Krobot

Kontakt

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