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Orphée aux enfers, Offenbach
D: Barrie Kosky
C: Adrien Perruchon
Barrie Koskys „Orpheus in der Unterwelt“: Götter mit Aufmerksamkeitsdefizit

Wunderbar Peter Bording als Jupiter, ein Bürger im Anzug, der seine Priviliegien davonschwimmen sieht; dass er Eurydike als Fliege becircen will, ist von grausam-komischer Konsequenz. Dazu passt sein verzweifelt blasierter Gesang.

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08 december 2021www.berliner-zeitung.dePeter Ueling
Orphée aux enfers (Orpheus in the Underworld)

“Fire of Disrespect” (Émile Zola). "Max Hopp as John Styx, who speaks dubbing, is an excellent cast - just as wonderfully strange as the production itself."

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Orphée aux enfers, Offenbach
D: Barrie Kosky
C: Marie JacquotPatrick Francis Chestnut
El procaz y desinhibido Barrie Kosky

Es estupendo cómo Peter Bording, en el papel del jefe de los dioses, de voz potente, tira de toda la comedia para hacer gala del hombre permanentemente agredido y, al mismo tiempo, conservar un poco de simpatía por él mismo (según el lema de que "Júpiter es tan solo un hombre").

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06 apríl 2022www.mundoclasico.comJuan Carlos Tellechea
Hänsel und Gretel, Humperdinck
D: Andreas Meyer-HannoEsther Mertel
C: Péter HalászMarie Jacquot
"Hansel and Gretel": colourful, scarier, livelier

The fairytale Humperdinck opera appears in a new light. Esther Mertel has revised it and combines the old original with the current possibilities.

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21 december 2015www.derwesten.deAnne Horstmeier
Die Zauberflöte, Mozart
D: Suzanne Andrade
C: Axel KoberVitali AlekseenokPéter Halász
"Magic Flute" as a multimedia wonder

Duisburg With the British animation theater troupe "1927", Barrie Kosky staged Mozart's opera in Duisburg's Rheinoper house as a happy folk theater in the digital age. Excellent also the musical side of the evening

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16 december 2013rp-online.deWolfram Goertz
Die Zauberflote - Düsseldorf

Of all the operas in the repertoire, Die Zauberflote is the one that today seems to best stimulate the creativity of directors. We saw it this summer at the Festival d'Aix-en-Provence , we can see it at the start of the season in Düsseldorf where Suzanne Andrade and Barrie Koskydemonstrate a pleasing inventiveness. Their idea? Transform Mozart's work into a gigantic cartoon. How? 'Or' What ? Through intensive use of video, which has definitely become an essential element of all opera performances, just like costumes and lights. A white panel the size of the stage frame acts as a screen. Openings, arranged at different heights of this single scenic device, allow the characters to integrate into the projected images. Their permanent renewal prevents weariness from setting in once the process has been understood.

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13 september 2014www.forumopera.comChristophe Rizoud

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