Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 1999 — Inné
Matthäus Passion, BWV 244 (St. Matthew Passion), Bach, J. S.
Hungarian State OperaBass
Féach ar an bhfoireann agus an fhoireannPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Hungarian State OperaSurin
Féach ar an bhfoireann agus an fhoireannZuglói Filharmónia - Szent István Király Szimfonikus Zenekar és Oratóriumkórus, Mahler
Müpa BudapestPater Profundus (Bass)
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte (reduction) (The Magic Flute(reduction)), Mozart
Hungarian State OperaSarastro
Féach ar an bhfoireann agus an fhoireann-
Messiás – koncertszerű előadás, HändelMozart
Hungarian State OperaBass + 1 ról
Féach ar an gclár, an fhoireann agus an fhoireannMatthäus Passion, BWV 244 (St. Matthew Passion), Bach, J. S.
Hungarian State OperaBass
Féach ar an bhfoireann agus an fhoireannPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Hungarian State OperaSurin
Féach ar an bhfoireann agus an fhoireannZuglói Filharmónia - Szent István Király Szimfonikus Zenekar és Oratóriumkórus, Mahler
Müpa BudapestPater Profundus (Bass)
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte (reduction) (The Magic Flute(reduction)), Mozart
Hungarian State OperaSarastro
Féach ar an bhfoireann agus an fhoireann-
Messiás – koncertszerű előadás, HändelMozart
Hungarian State OperaBass + 1 ról
Féach ar an gclár, an fhoireann agus an fhoireannWar and Peace, op. 91, Prokofiev
Hungarian State OperaCount Ilya Rostov
Féach ar an bhfoireann agus an fhoireannThe Hungarian basso cantante, István Kovács was born in 1972. He graduated as a physician and taught at the Medical School of his home town, Pécs, then he went to study singing with László Polgár in Zürich, and Sherman Lowe in Venice. From 1997 to 1999 he received several prizes in Graz: ”Schubert and the Music of the XX. Century”; in Barcelona: Francesco Vinas International Competition; in Munich: ARD Competition and in Salzburg: Mozart Competition. From the season 1999/2000 he has been a professional singer. In the following years he was contracted to the Teatro Regio in Torino where he sang among others Haly /L’ italiana in Algeri/, Raimondo / Lucia di Lammermoor/; to Budapest for Don Giovanni, Sparafucile and Nanni /Haydn’s L’Infedeltá delusa/; to Strasbourg for Publio /La clemenza di