PRINCESSE CZARDAS
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 1996 — Inné
La Fille du régiment (The Daughter of the Regiment), Donizetti
Opéra de Monte-CarloLa Duchesse de Crakentorp (The Duchess of Crakentorp)
Féach ar an bhfoireann agus an fhoireannDie Csárdásfürstin (The Gypsy Princess), Kálmán
Cie LychoreStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannDie Fledermaus (The Bat), Strauss II
Théâtre de l'Odéon - MarseilleTourillon
Féach ar an bhfoireann agus an fhoireannLes Voix Solidaires are back at the Nice Opera!, Various
Opéra Nice Côte d'AzurBass-baritone
Féach ar an bhfoireann agus an fhoireannLes chevaliers de la Table Ronde (The Knights of the Round Table), Florimond Ronger
Opéra Grand AvignonMerlin + 1 ról
Féach ar an bhfoireann agus an fhoireannLa vie parisienne (Parisian Life), Offenbach
Opéra Nice Côte d'AzurLe Baron de Gondremarck (The Baron of Gondremarck)
Féach ar an bhfoireann agus an fhoireannLa Fille du régiment (The Daughter of the Regiment), Donizetti
Opéra de Monte-CarloLa Duchesse de Crakentorp (The Duchess of Crakentorp)
Féach ar an bhfoireann agus an fhoireannDie Csárdásfürstin (The Gypsy Princess), Kálmán
Cie LychoreStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannDie Fledermaus (The Bat), Strauss II
Théâtre de l'Odéon - MarseilleTourillon
Féach ar an bhfoireann agus an fhoireannLes Voix Solidaires are back at the Nice Opera!, Various
Opéra Nice Côte d'AzurBass-baritone
Féach ar an bhfoireann agus an fhoireannLes chevaliers de la Table Ronde (The Knights of the Round Table), Florimond Ronger
Opéra de LausanneMerlin + 1 ról
Féach ar an bhfoireann agus an fhoireannDie lustige Witwe (The Merry Widow), Lehár
Festival Lyrique d'Aix-les-BainsStage director + 1 ról
Féach ar an bhfoireann agus an fhoireannActor as well as singer – he studied also acting -, Jean-François Vinciguerra resumed his singing studies at the CNSM in Paris in Michel Roux’s class, then at the the Atelier Lyrique of the Paris Opera, led by Michel Sénéchal. With this double background, he quickly stood out on most stages: Bastille Opera, Opéra Comique, Théâtre des Champs-Elysées, Avignon, Saint-Etienne, Metz, Reims, Tours, Marseille, Rennes, Limoges, Nantes, Nice, Rouen, Toulon… He has also been invited abroad: Monte-Carlo, Liège, Seoul, New Delhi, Lisbon… Among his vast repertoire, let us quote Bartolo (Il Barbiere di Siviglia), Dulcamara (L’Elisir d’amore), Jupiter (Platée), Méphistophélès (Faust), the Four Vilains (The Tales of Hoffmann), the Count Capulet (Romeo and Juliet), Don Pedro (Beatrice and Benedict), Geron