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Jonathan Santagada
Conductor, Pianist
Profile reviews (16)
La parte musicale riserva vere e proprie sorprese a partire dalla direzione briosa e scattante del giovane Jonathan Santagada, alla guida dell’Orchestra Senzaspine, da cui ottiene un suono compatto e levigato. I tempi serrati non fanno passare in secondo piano un discreto approfondimento della partitura, e sono sempre ben calibrati per non mettere in difficoltà gli interpreti. Il dir...
On the musical side the orchestral playing under Jonathan Santagada was quite outstanding. His tempi and modulation of the orchestral forces, and support for his singers, could hardly be better.
Maxwell Davies’s supremely atmospheric 75-minute score was punchily played by the Southbank Sinfonia under Jonathan Santagada´s direction.
The Southbank Sinfonia under Jonathan Santagada played with virtuosic clarity.★★★★★
The rhythm of the closing automation – ‘The lighthouse is now automatic,’ we hear at the end of the Prologue – sounded as stubbornly memorable as ever in this performance from the Southbank Sinfonia and Jonathan Santagada.
The fine singing was complemented by the crisp playing of the Royal Opera House Orchestra conducted by Jonathan Santagada
Christopher Palmer’s arrangement of Walton’s [Henry V] film treatment was the one used here...and with the orchestra under Jonathan Santagada’s direction it worked a treat. ★★★★
The music, under the baton of Jonathan Santagada, was authentic in style and paired perfectly with the interpretations of the singers on stage while also colouring the emotions of the various scenes effectively
The orchestra of Opera North, under the baton of Jonathan Santagada, provides wonderful support for the singers and, when the ten-strong brass section comes thundering in, the audience experiences more than a frisson!
Die fulminanten Gesangsleistungen werden getragen und befördert durch Jonathan Santagada. Der Assistent von Sir Antonio Pappano am Opernhaus von Covent Garden sorgt am Pult des seinerseits jung besetzten Orchestra Senzaspine für den idealen Mozart-Puls, in dem sich die klare Artikulation der Klangrede wunderbar in den emotional empfundenen Phrasierungssog einbettet...