Luiz-Ottavio Faria
Bass
Bio:
Bio:
14 - 18 Oct'20
La Wally, Catalani | Teatro Nacional de São Carlos | Portugal, Lisbon | Performances (3)
Available online until Friday, 31 July 2020 17:00 PST Full Production Video
24 - 26 May'20
Cancelled
Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny), Weill | I Teatri di Reggio Emilia | Italy, Reggio Emilia | Performances (2)
N
Dreieinigkeitsmoses
(Baritone)
| Conductor: Christopher Franklin
| Stage director: Henning Brockhaus
8 - 15 May'20
Cancelled
Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny), Weill | Teatro Regio di Parma | Italy, Parma | Performances (3)
N
Dreieinigkeitsmoses
(Baritone)
| Conductor: Christopher Franklin
| Stage director: Henning Brockhaus
2 - 4 Jan'20
Die Zauberflöte (The Magic Flute), Mozart | Royal Opera House of Muscat | Oman, Muscat | Performances (3)
Available online until Friday, 31 July 2020 17:00 PST Full Production Video
28 Sep'19
Don Carlo, Verdi | Amigos de la Ópera de A Coruña | Spain, A Coruña | Performances (1)
C
Available online until Friday, 31 July 2020 17:00 PST Full Production Video
13 - 17 Sep'19
Rigoletto, Verdi | Teatro Solís | Uruguay, Montevideo | Performances (3)
Available online until Friday, 31 July 2020 17:00 PST Full Production Video
Repertoire
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Biography
Luiz-Ottavio Faria
Bass
Full name: Luiz-Ottavio Faria
Citizenship: United States
Reviews
O baixo Luiz-Ottavio Faria viveu Gajolo com boa desenvoltura e voz firme desde a exibição do plano de rapto das noivas venezianas, Fra dieci giorni. Seu principal momento foi na cena da audiência na primeira parte do quarto ato, Son capitano
Leonardo Marques
Movimento.com
El bajo Luiz-Ottavio Faria protagonizó y desató los momentos más aterradores del Réquiem, su nobleza vocal en las profundidades del Mors stupebit et natura
evidenciaron la propia visión del bajo, optó por la gestualidad, por el carácter expresivo y con su voz verdiana nos acercó a los temores y angustias del ser
humano. Su instrumento es rico en matices, dramático, doliente en la zona más grave y muy hermosa en su poderoso centro, sus recursos expresivos se
concentraron en el sobrecogedor texto en el que mostró una extraordinaria capacidad de conmover.
By Roberto Relova Quinteiro, (Codalario.com - La Revista de Musica Clasica) - May/15/2016, A Coruna, Spain.
Roberto Relova Quintero
Codalario.com La revista de Musica Clasica
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