Emanaldia kredituak
Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 2008 — Atzo
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Don Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Ikusi antzezle eta ekipoaLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Ikusi antzezle eta ekipoaDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Osterfestspiele Baden-BadenStage director
Ikusi antzezle eta ekipoaIraganeko emanaldi aipagarriak
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Don Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Ikusi antzezle eta ekipoa
Le nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Ikusi antzezle eta ekipoaDatozen Emanaldiak
41Salome, Strauss
Opéra National de ParisStage director
Ikusi antzezle eta ekipoaLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Ikusi antzezle eta ekipoaig.18:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Ikusi antzezle eta ekipoaaz.20:00
Paris, FranceLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Ikusi antzezle eta ekipoaol.19:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Ikusi antzezle eta ekipoaLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Ikusi antzezle eta ekipoaLa vestale (The Vestal Virgin), Spontini
Opéra National de ParisStage director
Ikusi antzezle eta ekipoalr.19:00
Paris, France
Biografia
Born in Hartford, Connecticut, Lydia Steier first moved to Germany as a Fulbright Scholar following her vocal studies at Oberlin Conservatory of Music in Ohio. Steier’s work on The Lesson in Berlin’s HAU and on the multimedia production of Eight Songs for a Mad King, which was presented in Chicago, Cleveland, New York and Mexico, were the first two productions to bring her significant attention. Following that, Steier directed productions of La clemenza di Tito, and Brundibar for Opera Theater of Pittsburgh, Lohengrin at Los Angeles Opera, Madame Butterfly in Bremen, and The Merry Widow at the Deutsches Nationaltheater Weimar. Her stagings were further invited to festivals in Hong Kong, Dublin and New York. Based on her productions of Busoni’s Turnadot and Leonvallo’s Pagliacci, she was
