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Marcus DeLoach
Baritone, Composer
Biography American baritone Marcus DeLoach has been hailed by Anthony Tommasini of The New York Times as "a fine baritone who puts words across with clarity and naturalness." A leading performer of contemporary classical vocal music today, he has established himself in the areas of opera, concert, and cross-over.
Following his debut at Op...read more
Biography American baritone Marcus DeLoach has been hailed by Anthony Tommasini of The New York Times as "a fine baritone who puts words across with clarity and naturalness." A leading performer of contemporary classical vocal music today, he has established himself in the areas of opera, concert, and cross-over.
Following his debut at Op...read more
Performances
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From arts organisation / verified by Operabase
From artist / agent
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Matinéet
Tourc
Concert From artist / agent
14 Nov 2021
Teatro Grattacielo | New York City, United States | Performances (1)
19 Mar 2021
Beth Morrison Projects | Opera Philadelphia | LA Opera | Performances (1)
CP
8 - 17 Nov 2019
Arizona Opera | Phoenix, United States +1 More | Performances (5)
Senator John McCarthy / Estonian Frank / Interrogator
(Baritone / Baritone / Baritone)
| Conductor: Daniela Candillari
| Stage director: Marcus Shields
1 - 3 Feb 2019
11 - 20 May 2018
Boston Lyric Opera | Boston, United States | Performances (2)
17 - 25 Mar 2018
Lyric Opera of Chicago | Willard, United States | Performances (4)
Senator John McCarthy / Estonian Frank / Interrogator
(Baritone / Baritone / Baritone)
| Conductor: Daniela Candillari
| Stage director: Kevin Newbury
Repertoire (34)
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Photos (8)
Reviews (2)
“Marcus DeLoach, whose rich baritone mesmerizes on his serenade to Donna Elvira in Act. II, plays Giovanni as an arrogant cad, who thinks his wealth and station get him a pass on moral behavior. He is particularly loathsome singing, "I have a great deal of money, and I wish to be amused."
“Marcus DeLoach’s ringing baritone perfectly suited Sam’s stentorian and odiously domineering character, ... “Oif Mayn Khas’neh” (At My Wedding), a setting in Yiddish of a poem by Yankev- Yitskhok Segal ... is the richest number of the evening, careening from reverie to mayhem, and DeLoach performed it masterfully.”
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