Past Production Reviews
4“Oliver Diaz al frente de la ORCAM presumió de colores y de gestión de balances, algo fundamental en la música de Sorozábal.”
“En el foso del Teatro de la Zarzuela se encontraba un músico de la talla de Óliver Díaz, que fue capaz de firmar una magnífica labor (…) En el acto segundo, impecable fue el acompañamiento a la sucesión de romanzas, así como la progresión dramática de toda la parte final”
The direction of Andrea Marcon, always lively, attentive, without unnecessary excesses and with great intention in the instrumental fragments. Marcon's operatic work does not seem to attract attention in recent years, but he is probably one of the Mediterranean conductors who best caters to 18th century musical writing in terms of vocal accompaniment, and he knows how that orchestral chrysalis has to be woven together to that allows the singer to project, fill and move without losing an iota of grace. The orchestra did what it could, rude in the attacks and without the timbral or the precise dynamic detail, but taking into account the position in which it was, it was not an obstacle to the enjoyment of the excellent music of Boccherini.
